Creating an Offline Writer’s Group is Harder than it Looks

As many of you know, supporting my fellow writers and editors is very important to me provided my schedule allows for it. Whether someone is new to the craft or not, I can relate to the challenges of networking. When I started forming a writer’s group a few months ago, I really had no idea what to expect. I wasn’t sure if there would be a large interest or a small one, or if we’d have a more professional take on it rather than something casual.

What I’ve learned is that forming an offline writer’s group is a lot harder than it looks. I’d like to share some of the things I’ve internalized over the past, few months with you.

1. Writing Groups Seem to Work Better when There’s a Tight Focus – Because the physical act of writing is often extremely solitary, I didn’t want to create an exclusive “fiction” or “non-fiction” group. Initially, I thought that because there’s often writers (like myself) that do both non-fiction and fiction, a generic group might allow people to network and grow in the areas that they wanted to write in. What I found was that the group needed a tighter focus. We’ve had many different people come to the different writer’s groups; but everyone seemed to be interested in something that I wasn’t prepared to provide. Some wanted a workshop sort of a scenario, with a more professional (e.g. paying dues) structure that offered support for professional (e.g. established) writers. Others wanted a casual environment where leads and other opportunities happened organically, with less of a structure. This experience taught me that even though I had the best of intentions for creating a more generic, more people-oriented structure, it would have been more successful if there was an outline and an agenda that I could offer people up front. This also brings me to my next point…

2. You Can’t Please Everyone – I’ve learned that no matter how much I want to try to offer a group where there’s a little something for everyone, in reality that’s pretty darn close to impossible. Writing as a career is so broad (almost too broad) that it’s perfectly normal to have two, very successful writers who have experiences that have nothing to do with one another. A romance novelist, for example, may have something in common with another novelist, but not with an editor for a business journal. Query letters might be necessary for fiction and non-fiction, but they aren’t for people who are employed full-time in a company. Throw in writers who have never published an article or a short story, and it’s possible the group ends up not finding anything to talk about without prompting.

Realizing that I couldn’t offer a group that would mean something to everyone was a very, difficult lesson for me to learn. Add my own “wants” and “needs” on top of that lesson, and I found myself facing one, inevitable truth…

3. There’s Only So Much of “Me” to Go Around – It is no secret that I’ve been restructuring my long-term writing goals. I have a limited amount of time to work with, because I have a “day job” that I am committed to, which means that I need to be extraordinarily disciplined and aware of my time away from work in order to remain professional and achieve my goals. I would like to point out that I am exceptionally fortunate that my team supports my fiction-and-game writing efforts outside of work; many of my fellow team members are writers or have other creative endeavors as well, too.

I had initially envisioned the writer’s group to be something that just took off on its own, so that I could fit in into my schedule without creating a lot of prep time or additional time sinks. What I found was that because the organic nature of the group didn’t happen as well as I had hoped, I realized that I needed to dump more time into the group to nurture it along. Unfortunately, I had a situation where I was prepping for other conferences and I couldn’t devote time into it. Because of that, the group is a lot smaller than I had expected. Sure, if I had put more time and effort into it I’m confident that I would have been able to help it get off the ground, but that’s time I didn’t (and still don’t) have. Part of it, too, is that LinkedIn (which is where I first started this group) didn’t meet all of our needs, either. That thought segues into my next point…

4. Functionality Online is Key to Offline Organization – Facebook has “events” that allow you to see whether or not people are attending. Those invites are great for booking invitations. LinkedIn also has “events,” but they’re not part of a group’s functionality, so you have to send people to a separate location to sign up for the event. Group emails (like Google or Yahoo! groups) can work, but since they’re separate from where the group’s info might be located, they can be limiting and they also need to be monitored.

Regardless of the tools I’d need to facilitate group communication, I’ve also realized that because not everyone spends the same amount of time that I do online, they might not “see” something I post for a few days, maybe even a week. I feel that I should have figured out what tools I needed to use before I started up the group; and I should have established some sort of communication structure beforehand. So what’s the lesson here?

5. It’s Best to Plan Before You Form a Writer’s Group – From researching established writer’s groups to figuring out how the group will function in the long-term, I’ve learned that starting a writer’s group does require time and special loving care. In my opinion, the tools that you need to create a writer’s group are:

  • Specific Goal or Unifying Message (e.g. What do you want to Accomplish?)
  • Financial Structure (e.g. Fee-based? Not?)
  • Offline Location (Easily Accessible and Low-Cost)
  • Online Location (Easily Accessible and Easy-to-Use)
  • Group Guidelines (e.g. Who is the group for?)
  • Awareness of Existing Writer’s Groups
  • Promotion (Getting People Interested)
  • Support (Information, Resources, Short-Term Goals)
  • Communication (e.g. Who handles grievances? Messaging? etc.?)
  • People Willing to Help Organize
  • Going forward, I’m still going to offer something for the existing group and see where it goes. It’ll be structured around a more “social” idea, though. Once a month I’m going to offer a chance for people to network, either through dinner or a cocktail hour. Then, on a quarterly basis, I’ll have a workshop or learning experience of some kind. For fall, I’m going to toss out the idea of attending a lecture that might be invaluable for people who want to learn how to get published in fiction.

    Even though I’m not sure how things will progress for the group, I’m learning to move forward in a new and positive direction.

    Planners and Routines

    Fall TreeDo you write more in the fall and winter than in the warmer months? I certainly do, which is part of the reason why this is such an important time for me. Self-discipline is definitely a requirement if you’re a writer, and that can be hard to manage. During the summer, we’re exceptionally busy with conventions and social events, and I find that it takes me about a week to get back into a routine if my schedule is disrupted because I’ve been going for a few days.

    These next few months are pretty important for me, because this is also the time when I reassess my goals for the year. As you know I’m finishing the revisions for a novel, but I’ve also got a few other things in the works and I’ve been building my local offline connections, too. Getting into a routine not only helps me manage my time, it also helps me be more productive (and less distracted) too.

    This is part of the reason why I’m so picky about the planners I choose. A planner has to have room to write and I need to be able to “see” my day. As someone who makes every attempt to be eco-conscious, recycled paper is also important to me, too. I picked up a Quo Vadis Planner a few weeks back and I couldn’t be happier. The weekly planner fits my writing schedule and it’s also good for the environment. It came with recycled paper and allows me to simply buy refills, so I don’t have to worry about finding a new planner that works when this one is used up.

    Juggling work with writing is definitely doable for me, but it does take planning and a certain amount of crystal-ball gazing to do it. I have to admit I’m looking forward to the colder months, because I can’t wait to kick up the word count (both personal and work-related) for an exciting fall/winter season.

    Bridging the Online to Offline Connection

    Twitter. Facebook. LiveJournal. FriendFeed. Chat rooms and forums. The list of places where you can go to interact with someone online goes on and on and on. Eventually, you get to know personalities on these different platforms and (in some cases) can meet up with people offline. The experience of meeting someone offline can be either daunting or disappointing, but almost always it is “different” than interacting with someone online.

    When you’re chatting with someone online, you are “just” relying on words and rapid responses to develop a connection which (more often than not) is hidden behind an avatar or truncated persona. When you meet someone offline, you make conscious and unconscious judgments based on body language and other social/professional cues. Unfortunately, because people are more accessible online than they are offline, we all know that the internet can foster an illusion of popularity or self-importance. Being chatty with someone online usually means precisely that. It doesn’t mean that people will necessarily remember who you are or expect that you’re their “best friend forever,” but those expectations do exist.

    Over the past year I’ve been to several conventions, and at almost every, single one there is a story about how an author or an agent felt threatened by one of their online fans. Fans, readers and aspiring authors who have never met these people expected — nay, demanded — personal time with them because of a relationship they believed existed that wasn’t there in the first place. Even if the invitation was innocuous, it leaves a bad impression that can hurt an aspiring author’s (or fan’s) chances of continuing any communication. To put it into perspective: Imagine you were attending your company’s trade show. Say someone walks up to you that you don’t recognize. They introduce themselves as someone you’ve had an exchange with maybe once or twice. You don’t remember them, but you’re trying to be polite. Professionalism is important to you because you’re representing your company. Now they ask you out for an evening’s worth of entertainment. Would you say ‘Yes’?

    Even if your intentions for an invite are honorable, I would recommend against having any expectations unless you set something up beforehand for professional reasons. Keep in mind that it’s becoming harder and harder to bridge that online-to-offline connection because of the bad experiences people have had and, subsequently, share with one another.

    Most authors/agents/celebrities/etc. are online because it is part of their job to foster an internet presence and provide a glimpse into their life “behind-the-curtain.” Many of these people have hundreds, if not thousands, of readers who demand their time: they have to leverage that offline with writing, working their day job, maintaining a family and their own social life, etc.

    As writers, it is exceptionally easy to lose social skills because of the nature of writing. When you’re writing, you aren’t talking “to” anyone and you’re typically engaging with an inanimate object. Writing can be a very lonely and solitary activity, which can sometimes lead to misunderstandings or challenges if you haven’t been social for a while. This is why I cannot stress enough the importance of getting out there and finding ways to “be social” with other people. In my experiences, when you have a strong foundation of social skills offline, you will find that it’s easier to bridge that online-to-offline connection and remain professional when you do meet new people.

    Here are ten, low-cost ways you can be social in your own community:

      1. Start (or Join) a Book Club
      2. Get a Part-Time Holiday Job
      3. Volunteer (e.g. Shelters, Humane Society, etc.)
      4. Join a Non-Profit Group (e.g. Church, Politics, etc.)
      5. Be Part of a Community Theatre/Choir
      6. Start (or Join) a Writer’s Group
      7. Take a Class
      8. Sign Up for Co-Ed Sports
      9. Attend (or Organize) a Social Media Meet-Up
      10. Visit your Library, Game or Book Store for Local Events

    Do You Need Your Own Website? Read My New SFWA Article

    If you’re an author or a professional freelancer who is weighing the pros and cons of having your own web presence, you might be interested in reading my new article over at the website of the Science Fiction & Fantasy Writers of America.

    Here’s a brief excerpt of the article:

      The Pros and Cons of Having Your Own Website

      Whenever I’m at a convention, one of the more common questions I am asked is: “Do I need to have my own website?” I always counter with, “Well, what do you want to use the website for?” Several have answered me either with the proud declaration “To get published, of course!” or “To sell my books!”

      Having an online presence may or may not translate to your desired action, in part because your presence really is about “you” as a person rather than “you” the author.

    Be sure to visit the Science Fiction & Fantasy Writers of America to read The Pros and Cons of Having your own Website.

    Writing Reviews Can Help You, Too!

    Writing a review of someone else’s work is probably one of the hardest things I’ve ever had to learn how to do. Teleporting out of my creative mindset to critique a book or a movie was pretty challenging, because it forced me to deconstruct how someone else put together a particular body of work. So instead of creating something from scratch, I needed to get down to the bare bones of books, comics, and movies to look at their structure and target market. As a result, I’ve found my own writing had improved. Even though it was a bit awkward at first, I really enjoy writing reviews and it helps that I love to read, watch movies and play games.

    When I was writing the submission guidelines for Flamesrising.com, we had decided to break out guidelines by format for a few mediums. How to Write Short Fiction and Book Reviews talks about elements you can critique as a reviewer:

    Enter the reviewer. The job of the fiction reviewer has never been more challenging. Deciding whether or not a work is deserving of a reader’s attention is, arguably, a matter of opinion. So when writing a fiction review, maintaining a level of objectivity is essential. Reviewing fiction is, in essence, two jobs. The first is to judge the literary work, the second is to write about that judgment. There are lots of tools in a reviewer’s arsenal that can help lead to that second step.–SOURCE: How to Review Fiction

    There are a number of different websites besides www.flamesrising.com that seek out reviews. If writing reviews sounds like it might appeal to you, I recommend not repeating the back cover blurb as the main part of your review. Just like with any other writing that you do, reviews can help you establish a presence for your “brand” or in the area that you want to write — and they can be a lot of fun.

    Here are a few reviews that I’ve written recently:

    Those are just a few examples of some of the ones I’ve written. As you’ve probably guessed, everyone has their own style of writing reviews, too. Either way, it’s been a really fun writing exercise for me and I get to talk about books and other things I’ve explored.

    🙂

    Previous Posts Next Posts




    Looking for Monica’s books and games that are still in print? Visit Monica Valentinelli on Amazon’s Author Central or a bookstore near you.

    Archives

    Back to Top