New Guest Post on Apex: Discussing Rape, Incest and Abuse in Horror

This week, I offered the folks over at Apex Book Company a blog post entitled, Why Do Some Horror Authors Write about Rape, Incest and Abuse? This was a sensitive topic to write about, and I found out after the article was published that I made a slight oversight in the post.

My goal for this article, was not to provide a definitive “answer” on this subject, but to facilitate discussion and to get people really thinking about writing for “shock” value or how they might address serious issues like rape, incest and abuse.

Let’s take a look at a quote:

Good horror stories can cause a reader to react in a number of different ways. They can jump out of their chair, groan in disgust or feel their skin crawl. Fear, however, isn’t the only emotion a reader can feel. They can also feel empathy for a character, anger because the villain got away, or sadness because a victim died. These reactions occur as a result of the story’s pacing or description; an author’s goal is to help guide the reader through a broad range of reactions so that the reader won’t put their book down.–SOURCE: Why Do Some Horror Authors Write about Rape, Incest and Abuse?

If this topic interests you, there’s a lot of comments and interesting discussion on the post that you might want to check out. As I mentioned earlier, I firmly believe that there aren’t definitive answers to my question. I just feel it’s a question worth exploring.

Do You Need to be Heard, Or Do You Need an Answer?

One of the things I’m beginning to find pretty frustrating, is the need for people to publicly rant about something that they haven’t tried to resolve on their own. From misprints to crappy downloads, it seems like ranting about bad business experiences, politics and other frustrations is the “thing” to do. The trouble is, there’s this little link on most websites that offers you the ability to “contact us.”

I often have to quash the internet myth that once you post something online — everyone will read it. Yes, everyone can read it but that doesn’t mean that everyone will.

Online reputation management can be very time-consuming for businesses, especially since they already have protocols in place to handle customer complaints and troubleshoot issues. Using Google Alerts is one way anyone can monitor what people are saying, but even that has its limitations depending upon how someone uses them and when they get around to reading the emails. Even then, there is no hard and fast rule for businesses to deal with public rants about customer service. Often, contacting customers directly opens the door to several, different types of reactions: some customers get even more upset, others expect the attention or appreciate it and many freak out about “big brother” watching them.

I understand that it’s easy to complain about things that happen in your daily life. Believe me, I really do. However, if you want an answer to your woes, if you want someone to address your concerns and listen to what you have to say, try to contact that person or business directly. If you’re unhappy with politics, write your local congressman or woman! If your coffee maker failed, then try to contact the manufacturer and get your issue resolved. Or, if you’re frustrated with publishers for not releasing digital files on time, take it up with the publisher rather than stage a “protest.” (See this article.)

Companies, from the small mom-and-pop shops to larger corporations, have systems in place to help customers. Use those channels, and you’d might be surprised not only how quickly your voice is heard, but also how much they care about you as a customer. While not every issue can be resolved, you have a better chance of getting the answer you want if you deal with the company directly.

Just something to think about.

🙂

Weighing in on E-Books

It’s been really interesting for me to watch the complex discussions about e-books online, because I work for a digital publisher. My company provides digital sheet music files to our customers and there are a lot of similarities between our industry and the publishing industry. However, books have a broader market than sheet music does, in part because more people know how to read text than music.

One of the biggest challenges that I see is two-fold: one, inconsistent pricing models and two, proprietary platforms and formats. E-book pricing is based of a number of different factors that go beyond what a writer, editor and/or publisher earns. First, you have the cost that the e-book retailer charges for every book sold. That charge varies from site to site, but it can comprise as much as forty percent of the book’s value. Second, you have the cost of laying out and creating that digital file in the appropriate formats. Third, you have to pay an artist for cover art and fourth, you have to pay the additional cost of online marketing to get people to buy the book. I believe that publishers have a challenging time coming up with a set price for e-books that people will respond to, because the costs of doing business may be different depending upon the product. Graphics, tables, high page counts and other file format issues can easily tack on more time to the e-book production process.

Unfortunately, these “invisible” costs are not apparent to the reader. Many readers believe that e-books should be less expensive than their paperback or hard cover counterparts, because they assess a different value to the production of a printed book differently than an electronic file. (This is also why I believe piracy is such a huge threat to digital publishers, too.) Part of that assessment is their experience with the internet where information has been “free.”

I’m not sure what the answer is, but I feel that it’s going to be pretty challenging to educate readers on what the production value of an e-book. I don’t feel that being transparent about the cost of doing business for a publisher is the answer, but I also feel that the e-book “evolution” is still in its infancy stages.

As I mentioned earlier, I believe that one of the biggest challenges e-book publishers face is proprietary e-readers and formats. Why? Without having a standardized format that all e-book readers can use for the books they want to read, you’re immediately limiting the market to a select few. I’ve heard many comparisons between e-books and the digital music industry, and while there are similarities, they are still very different. Imaging the cost of archiving these e-books at a library, for example. Now, instead of needing physical space, you need electronic space. Instead of a standardized format that works on all e-readers, you need several different types of readers and several different formats (e.g. duplicates) of the same book.

For the reader, you’ve now increased the cost of being able to read their favorite books. The accessibility of where you can buy a proprietary e-reader, the cost of upgrading them and the cost of maintaining them or replacing files adds in a layer of “cost” to the e-books that wasn’t there before. Now, instead of just buying the books like you would in a physical store, you have to buy the platform and then buy the books, which inflates the cost of whatever e-books you buy. This is also why I believe readers expect that e-books should be cheaper. They aren’t looking at where their money goes, they see it as “I spend $350 on an e-reader and now I have to spend $7.99 on a single book. Why are they so expensive?” As a result, reading a book is no longer available to those who can’t afford the platform to read it on.

In my opinion, copyright restrictions and the threat of digital piracy aren’t the only reasons why the music industry has evolved the way that it did. In part, it’s also because of the volume and the demand. For this reasons and many more, I feel that the e-book “evolution” will not happen overnight. This will be a long process that publishers, retailers, readers, libraries, authors and editors will need to go through. My only hope is that there will be more long-term discussions on how to move toward accessibility to more readers and some standardization.

Marathon Wrap-Up and a Quick Look Ahead

First of all, marathoners — I owe you an apology. I had a summary post written (I really, really did) but somewhere in between plowing full steam ahead to 2010 and my WordPress updates I lost it. I’d like to share with you some closing thoughts on the Marathon.

For me, December was a kick start to re-focus my efforts on my fiction. While I didn’t accomplish as much as I would have liked, I did get a lot of filing done (phew!) and I was able to take enough of a breather to simplify the story. While every writer that I talked to got something different out of the marathon, for me the reminders were two-fold: one, it was a way to re-establish my routine and keep going and two, writers are not machines. No matter how strict of a schedule I might create, my personal life has to happen somewhere in between waking up and going to bed.

I hope that the December Writing Marathon inspired you to write. Regardless of what you learned, I feel very strongly about finding inspiration wherever you can find it, so if you have links to share with your fellow writers — post ’em in the comments.

A Look Ahead

Fourth quarter really sucked. I mean, really sucked. I had several fiction opportunities and a major licensed property fall through (or be greatly post-poned) all within three months. Add other drama to the mix and it was a recipe for a very busy and very stressful couple of months. While I’m pretty realistic about rejections and the like, the sheer volume of “No, no, no’s” took its toll.

I don’t have any New Year’s Resolutions other than a simple motto: NO FEAR. What does that mean? Stay tuned and find out…

“Brand” Mistakes You Don’t Want to Make

One of the things that I find really interesting, is how many authors and publishers treat their public relations and marketing channels. (This can include reviews, interviews, appearances, etc.)

The “old think” was that PR was something you needed to pay for. You’d incorporate your PR with your marketing, and you’d work with other “paid” professionals like reviewers or reports to see what fit into their schedule. The “new think” is that you, as an author or publisher, can leverage a lot of free methods to generate buzz and PR for your career.

Regardless of what side of the fence you fall on, there are a number of mistakes I see people making when it comes to dealing with their “brand.” Whether you work for a company or not, brand management is a lofty phrase that deals with how others perceive you or your works. Here are some of my biggest frustrations:

    1. Being “Brand” Arrogant – Do you believe that everyone knows your name or product? Guess again. Just like not everyone on the planet has seen Star Wars, not everyone has read your books or even knows you exist. Sure, everyone wants to feel proud of where they are in their career, but I’ve seen how brand arrogance hurts not only an author and/or publisher but the reader. The minute you publicly tell someone that “they’re wrong” and forget to keep your customer service voice on, the greater you’re at risk for that customer talking shit about you. No, not every customer is “right,” but you have to remember that the conversations you have with a single reader online are read by countless readers that are not commenting on the review or your conversation. You shouldn’t have to “defend” your products or your brand in a hostile manner — I don’t care how crappy the comment was. A mistake is one thing (and there are ways to handle that) but trying to “sell” yourself or your brand to someone who doesn’t want to have anything to do with you is entirely another.
    2. Not Understanding “Who” is Talking about You – There are two types of reviewers: those who work for places like the Chicago Times or the New Yorker and those who don’t. The cold, hard truth is that the bulk majority of reviewers on the web are not getting paid to write your review. They are, simply, readers who love to read books or play games and watch movies. (The jury is still out on which reviews “sell” more books. After all, are you influenced more by your friends’ opinions or a professional reviewer?)
    In many reviewers’ minds, the unpaid reviewers are doing their fellow reader a favor by providing their honest review of what they’ve experienced. This is part of what’s called “grass roots” marketing. In many ways, these reviews are more like testimonials, because these opinions are coming from “a customer.” Yes, reviewers appreciate it when they get a review copy, but often publishers see this as an expectation to get a positive review done ASAP. With “grass roots” marketing, many reviewers don’t feel an obligation to write a review in a timely manner, especially if they didn’t like the book. With “grass roots” marketing, often reviewers will get to it when they can, not because they don’t want to.
    Unfortunately, I’ve seen one too many authors and publishers alike bashing reviewers. Here’s what that gets you — negative press. Publicly bashing a reviewer is a big “no-no” for many reasons, but partially because a reviewer is not expecting flak for providing an honest opinion about what they’ve experienced. Just like you, as a customer, don’t like every brand of coffee — reviewers are not going to enjoy every book, game, movie, etc. they come into contact with.
    3. Trying to Control the Message – Once people start talking about you or your brand, don’t even think about trying to “control” what people are saying. Most people do not engage with places like Facebook, Goodreads, MySpace and Twitter to be deluged by people shilling something. Why? Because social media is all about people interacting with other people. It is not there to “serve” you personally in the way that you expect, nor does it happen on your schedule. In fact, some of the most popular content are the things that don’t cost “money” (e.g. not including time as a resource here) to make. Yes, comment moderation is necessary and you can post your policies for that. That, however, is different from “controlling” what people say about you. Only posting positive, corporate-sque comments about your brand is a dead give-a-way and a big turn-off for people who follow you religiously. In my experiences, people respond better to humans, not robots. Ignoring or divulging everything that people are saying are two, other tactics, both of which can blow up rather poorly in your face.

Instead of trying to control the message, I try to be a natural part of the message regardless of what I’m doing. This comes pretty easy for me, because I believe in being genuine and passionate about whatever I’m writing.

I recommend not only defining what your brand is, but also what message you want to portray and how you want to engage with other people. Once you do, you’ll be able to remind yourself what you want to accomplish in your marketing efforts. (e.g. Maybe you’ll think twice before posting a nasty comment on a bad review.) For more about how to request a review for your book or product, read Matt Staggs’ latest post entitled: “Critics on Rookie Mistakes and How to Avoid Them when Submitting Your Book for Review.”

Agree? Disagree? Feel free to comment below.

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