Sage Advice from Author M D Lachlan

This came across my Twitter feed from @muskrat_john the other day and, quite frankly, it bears repeating. Over and over and over again.

In his article, Lachlan writes about the need for writers to accept criticism by letting go of their work. What he’s talking about, here, is very specific. I’m going to quote two passages that stood out to me. The first is:

Writers need the ability let go of their work. It’s only pixels. I’ve had to throw away the work I loved the most out of anything I’ve ever written. I thought it was great. Publishers were very kind about it but didn’t think it was commercial. Oh well, next project. — SOURCE: It’s Only Pixels by M.D. Lachlan

I can’t tell you how important the last two words “next project” are. This? This sort of thing happens all the time. Projects stop and start. Projects lose funding. Projects get tabled in favor of something else that’s new. When you stop writing and working on the next project, your chances of getting paid or garnering acclaim for something else rapidly diminishes.

Then I really thought Lachlan nailed it when he said:

I try to view (my writing) objectively and dispassionately. It’s hard to do but, if you can get the knack of it, it will make you a better writer.

Nowhere in this post does Lachlan say that you can’t love what you write. Everywhere in this post, however, does underline the need to view your writing as work. You can still love it, but the key to downplaying criticism is to understand that’s all it is. It’s not you an editor is saying things about, it’s pixels.

Hop on over and give It’s Only Pixels, written by M.D. Lachlan (author of WOLFSANGEL), a read.

Announcing Ghost Hunting Anthology HAUNTED

Haunted CoverI am thrilled to announce that a ghost hunting themed anthology entitled HAUNTED: 11 Tales of Ghostly Horror will be debuting this week on DriveThruHorror.com and DriveThruRPG.com. Matt M McElroy, the publisher and editor-in-chief of FlamesRising.com, has released a press release about the HAUNTED anthology from FR Press.

As editor of this ghostly collection, I can’t say enough amazing things about this talented group of authors. They were a joy to work with and I love each one of these spooky tales mightily for different reasons.

Many of these writers have websites and I encourage you to visit them online and check out their works! I’ll post another announcement when the book is available to purchase. It will be offered in both digital and print formats. Jason L Blair did an amazing job laying out the book!

HAUNTED: 11 Tales of Ghostly Horror

Table of Contents

Introduction by Jaeson K. Jrakman, Ghost Hunter

Editor’s Afterword by Monica Valentinelli

Promotion is Secondary to the Work

There’s a new book out by bestselling author John Locke about how he sold a million copies on Amazon in five months. It’s called: How I Sold 1 Million eBooks in 5 Months!

Here’s the thing: online marketing didn’t get him those sales numbers. What he did to promote his books was very similar to what other indie publishers have already done. There’s nothing new there.

So how did he achieve success? John Locke mastered his craft and wrote a bunch of great novels before he sold a single copy. Then he released the books, one after the other, on a short time frame with an introductory price of ninety-nine cents and wrapped promotion around that. His covers are great, his content was geared toward mass market rather than literary audiences, and he wrote consistently over several books. It was the aggressive release schedule coupled with a quality product at an attractive price, moreso than online marketing, that got him those numbers.

His story supports the old adage that most novelists will make money on the volume of books they write, as opposed to one individual release. (Lightning-in-a-bottle excluded.) And good for him! I am happy for Locke’s success.

The truth is that no amount of marketing will sell a book (or a series of them) if they’re crap or if they don’t resonate with an audience. It still comes back to whether or not the author is a good storyteller and if the readers enjoy that particular flavor of story. There are books have have been promoted heavily, with millions of dollars poured into advertising, and they just don’t sell. Some of them are amazing books; others not so much.

So if you’re a writer who wants to indie publish, the marketing take-a-ways here are: 1) What does your release schedule look like? 2) Do you have professional-looking covers? 3) Who is your target audience?

And, most importantly, numero quattro: Are you ready to sell your books?

For more on book covers and indie publishing, the How to Write Shop has a lot of information.

Heads Up! Help FlamesRising.com Interview White Wolf for Strange, Dead Love!

Vampire: the RequiemRemember when I announced I was working on Strange, Dead Love? Today, FlamesRising.com posted an open call for fans to ask questions about the paranormal romance sourcebook. Both Eddy Webb and Russell Bailey will dive in and spill all their secrets.

What do you want to know about Strange, Dead Love? Ask your burning questions in the comments below. Then, on Monday, October 3rd, we’ll shoot your deepest desires over to Eddy and Russell.

The finished interview will debut on FlamesRising.com on Sweetest Day, October 15th and will include ten questions chosen by White Wolf. Not all questions may be answered.

Pop on over to FlamesRising.com and fire away! Here’s the link: www.flamesrising.com/help-us-interview-white-wolf-for-strange-dead-love

The Other Half of Perception is Managing Expectations

After my post earlier this week about managing perceptions as a freelancer, I saw a comment from Keith Anderson about how essential it was to manage expectations.

I absolutely agree.

For me, this is a no-brainer that can be summed up in two words: good communication. When that communication breaks down? That’s when things go wrong. I’ve seen this time and time and time again in many businesses, both as an outsider or when I’m involved on a project. Miscommunication happens in cases when one hand is doing one thing and the other is possessed by another mindset. Management says one thing to one employee and something else to another. A lack of consistency is the other thing that can get very confusing, too, especially when you’re dealing with someone who has little to no experience managing professionals.

My technique is based on asking questions and setting goals. It is extremely rare for me to not fulfill the expectations that are required of me. I am always asking: Is this what you want? Sometimes, the company does not know the answer to that question. By exploring that answer up front you’d be shocked how much money, time and energy is saved.

Having said that, however, there are times when going that extra mile isn’t warranted. That’s where the contract, a style guide and submission guidelines all come into play. The project doesn’t require exploration, it demands production. How many bouts of revisions are required? What format does the work need to be submitted in? Expectations can be very technical, but they are also thematic, too. Research is an invisible cost. An artist needs reference material. A writer needs to find good sources for attribution, reference material on a subject, etc. Creativity is another “cost,” in the sense that bursts of inspiration don’t just happen on a nine-to-five job. They happen at any time, in any place, for any reason. Again, this goes back to why creatives don’t budget based off of hours.

This entire conversation circles back to something I’ve found to be extraordinarily true. There is a huge difference between being proactive and reactive, between providing a service or selling an asset, between building business relationships or focusing on the one-offs. There are so many different ways to manage a business it’s not even funny. The trick I’ve found is this: as an employee or a freelancer, you have to figure out what your core business principles are. Once you have that foundation in place, you can manage expectations with ease. Why? Because then you’re looking at those expectations as a two-way street. It’s not what you can do for someone else. It’s what you can do for each other.

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Looking for Monica’s books and games that are still in print? Visit Monica Valentinelli on Amazon’s Author Central or a bookstore near you.

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