Announcing Scenes of the Embrace and Our Design Notes

Scenes of the Embrace | White Wolf Publishing | Vampire the RequiemHi everyone, I am pleased to announce that Scenes of the Embrace was just released from White Wolf Publishing for only $2.99. This was a stand-alone project that I had worked on with developer Eddy Webb, who was the developer.

To celebrate the release, Eddy and I compiled a few of our design notes for Scenes of the Embrace and released them, along with a preview, at FlamesRising.com. I really enjoyed writing these notes, because this particular collaboration didn’t start out smooth. When you work online, writing a new project, that does happen more often than you might think. The product turned out great, though, and I’m really happy that Eddy loved the results.

Included with Scenes of the Embrace are fourteen, stand-alone scenes that a Storyteller can use. For those of you who aren’t familiar with the terminology for Vampire: the Requiem, this product has a narrow focus on the moment when a vampire transforms a mortal into a new vampire. As Eddy had mentioned, although the word “toolkit” seems to be a buzzword now-a-days, that’s really what this product was designed for. There’s a lot of fodder in here for Storytellers that also ties back to a sire’s covenant, too.

If you’re interested in Scenes of the Embrace, you can purchase it as an e-book. To read more about this new supplement for Vampire: The Requiem, take an Inside Look at Scenes of the Embrace at FlamesRising.com.

My Role with Apex Book Company

Hi everyone,

As you know, I’ve been looking for new professional opportunities. After posting about my pursuit, I had a good discussion with Jason Sizemore who runs Apex Book Company who decided to help me out while I continue to look for a full-time job.

For a few hours a month, I’m going to be consulting and directing their marketing efforts to help coalesce their initiatives into a big picture strategy I’m designing. Apex has a really smart and dedicated team of people in place that the previous Marketing Director, a lady by the name of M.G. Ellington, helped put together. My efforts will be behind-the-scenes.

I’m really excited about helping Apex for a few reasons. Months ago I turned to a few recruiters who suggested that since this is an employer’s market, in order to get a good job, I really need to keep my online marketing and writing skills fresh. I’ve been able to do that with my writing, because like so many writers, that’s something I’ve always done, even when I was working. Now, I’m able to elevate my visibility for online marketing and pad my resume a bit.

Another reason why I’m happy to provide a few hours of marketing support for Apex, is because this is my chance to apply six years of online marketing knowledge to the publishing industry. Apex produces quality books, anthologies and a magazine. Jason has made it clear that I wouldn’t be given any special treatment. So, if I want to publish a story through Apex, I better write a good one.

Believe me, I am doing everything I can to step up my writing and my career to new heights. I’m excited, because ever since I posted my news about how things have been going, so many people like Jason have reached out to me cheering me on. I don’t know what 2011 is going to bring, but I’m ready to find out.

If you’re job-hunting like I am, I really hope you consider reaching out to uncover potential opportunities–regardless of whether it’s a volunteer position or a few hours a month. I know I am.

– M

My Guest Article at BookLife.com: Rolling the Dice in Freelancing

The Bones | To help promote THE BONES, a collection of essays about dice, Jeremy Jones is running a series over at BookLife.com about rolling the dice in freelancing. Jeremy is an excellent interviewer who writes “the best” introductions about people. Just recently, he talked about how Matt Forbeck was his hero in If You Play It Safe: Matt Forbeck on Taking Risks In Writing. (Mine, too.) After reading what he said about me, I was thinking about paying him to write my bio for me. Sheesh.

I first met Valentinelli at GenCon three years ago. I was immediately struck with her ability to distill a complex project down to its core elements and by her seemingly undying enthusiasm for whichever creative project she was working on.

Both as a gamer and as a freelancer, Valentinelli has rolled a lot of dice. Here’s what she had to say about the importance of taking risks in writing and freelancing. — SOURCE: Always Rolling the Dice: Monica Valentinelli on Taking Risks in Writing

To read what my responses were, be sure to check out Always Rolling the Dice: Monica Valentinelli on Taking Risks in Writing.

Not sure who else is slated for this series, but BookLife always has some great career advice for you to read. So don’t be shy and check the site out!

25 Mantras on Writing and Professionalism

As a follow-up to my previous post about “bad news,” I decided to write my thoughts on what I feel it means to be a professional writer. You may disagree with me, and that’s okay. I firmly believe that your path is not the same as mine. Take what you want and leave the rest.

    1. Any advice, news, tools, or people that distract you from getting words down on the page is not valuable to you as a writer, regardless of how positive or uplifting you feel afterward.
    2. Having a writer’s platform is meaningless if you don’t have any readers, because your brand’s awareness does not always equate to sales.
    3. Avoid any bandwagon that declares publishers or retailers are bad or evil.
    4. Know your own worth but be realistic about it.
    5. Learn the tools, but don’t make your platform your primary focus if you have nothing to sell.
    6. Don’t quit your day job. Don’t quit your day job. Don’t quit your day job.
    7. If you submit a story, pitch or job application, don’t wait to hear back before starting on the next one.
    8. Respect and support other writers that are more experienced that you are.
    9. Writing is NOT a competition. What (or who) one reader or employer likes is going to be very different from someone else. Sometimes, you aren’t a good fit for the job. Sometimes, an employer doesn’t want to re-train a new writer to work with them. There’s a lot of slots to fill; find the ones that work for you and keep looking.
    10. Understand that some people will be happy for your success and some people won’t. Learn to tell the difference and distance yourself from those who are jealous or are willing to sabotage you.
    11. Don’t talk shit or make boasts you can’t back up. You never know how that will come back and haunt you — until it does.
    12. Remember that there are misconceptions about writers and, in some cases, there is nothing you can do about it.
    13. Know that success is relative. One writer’s accomplishments are not your successes, so quit worrying about what someone else is doing. Their “greatness” doesn’t mean you’re a failure.
    14. It’s okay to have a bad day! Experience that bad day, then get over it and get back to work.
    15. If you are a writer, be flexible but write what you’re interested in and work for the people you have a good relationship with. Do not become a slave to your job.
    16. If you can’t afford to be a full-time writer, explore your options and find a part-time job or something else to do. Being a poor artist isn’t virtuous or ideal — it sucks.
    17. Always keep an eye out for new jobs or opportunities and network, network, network.
    18. Don’t be afraid to say “No” when you need to.
    19. Resign yourself to the fact that you may never be as popular or wealthy as Steven King. The, focus on the readers that you DO have.
    20. Learn how to resolve interpersonal conflicts and identify people who can’t. If you wind up on the receiving end of something like this and your assignment/job/project is affected, know that even though it might feel like a personal attack, it’s more of a reflection on the person who can’t resolve the conflict.
    21. Get it in writing.
    22. Realize that you are not a machine. Some days you’ll write faster than others.
    23. Recognize that everyone functions differently and cultural nuances affect not only how people work, but how they respond to people and what they do at work, too. If someone doesn’t get back to you right away, it’s not because they’re ignoring you.
    24. Understand that your rejection letters may not have anything to do with the quality of your work or “you” as a person. Don’t take them personally.
    25. Keep up-to-date on technology and don’t be afraid to learn new things that make you more marketable.

On Bad News

Hey everyone,

Wanted to write you a letter today that allows me to clear a few things up. I’m sure that many of you know that when you’re a creative person, you live your life on a roller coaster. For many people, the employment outlook isn’t great; this is especially true for creative people. Several writers and artists I know, including myself, do not have a full-time job right now. Many businesses are either not hiring or they are taking the opportunity to give their regular workers overtime. The people that I do know that are working are swamped, as businesses are trying to cut costs to stay afloat. Sometimes, this means that creators are required to act like production monkeys, which means that the quality of the work suffers. In many cases, I’m hearing from other writers that they are creating content for the sake of producing content so their other work is suffering, too.

Age also seems to be a factor in today’s market; most people I know either have an older relative or a parent that’s out of work. After several conversations with some state and private agencies around town, applications for positions have tripled and recruiters are seeing that a lot of overqualified applicants are vying for low-paying jobs. As you can imagine, it’s an employer’s — rather than an employee’s — market.

On the publishing front, which is not a full-time, viable financial venture for over ninety percent of the authors out there (including myself) — the news is grim. Many small press publishers are going out of business and the larger publishers are focusing more on their heavy hitters. So authors who write books that sell a steady number of copies, dubbed the “mid-list” authors, are finding that their contracts are drying up. Right now, I’m still a small press author, so the news about the disappearing mid-list is pretty depressing. (For one example, read: Mid-List Authors Find Homes at Indie Presses.) I’ve tabled two half-finished novels and have been focusing on other opportunities because I’m not very optimistic about my chances.

To be clear: I feel I made a mistake when I wrote my “Happy Thanksgiving” post and wound up deleting it, because I mentioned I was thankful for all the bad experiences that I’ve had this year without really explaining why. Sure, I talked about how you can’t have the good without the bad, but I didn’t go into this level of detail. Taken out of context, it sounded a little bitter to me, which is not accurate. The market does suck, but it will get better. It always does.

Fortunately, I am part of a community of writers and artists who either have experienced what I’ve been going through or know someone who has. My support network is very strong and invaluable, but having that support is not a guarantee that things will change. I have to make very careful decisions about how I spend my time, but I also need to be brave and take risks. I have to finish those novels, even though I don’t think I have a chance in hell of getting them published. I also have to forget about how clean our house is and focus on writing another story or submitting another resume.

Right now, I am slowly closing the door on an unfortunate chapter in my career, but I’m plotting out a new one. I hate sharing bad news because things change. What non-creative people don’t realize, is that being creative means that you have a different life path than most people. Sometimes it’s hard to express that in a post without coming across as being bitter or negative, but I’ve always been an opportunist and a pragmatist. Sometimes those opportunities work out, and sometimes they don’t.

This is my story. I hope that by sharing it, I inspire you to get off your butt and focus on your own. I wish you the best of luck and encourage you to reach out to people and explore every option you have. As always, I hope that you lift your head up and realize how valuable you are. Keep writing, keep telling stories and never, ever give up. I know I won’t.

– Monica

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