Resumes & Portfolios for Writers: Part Two

Before you’ve taken the time to build your writing resume, you’ll need to think about how you’d like to pull together a portfolio of your writing. While there are many, many different ways to do this, with a little bit of foresight and goal planning, you can put together a collection of your written works that will show off your strengths.

First, you need to think about whether or not you want to focus on a particular writing style or method. For example, if your strength is really on technical writing, you might want to consider structuring your portfolio and adding experiences in that area. If you’re talented in script writing, then perhaps you want to specialize in writing commercials, radio advertising, screenplays, etc.

Second, make sure you ask, every time you are published, if you can use the work in a portfolio. If they say “No,” then ask them if you can use the first paragraph or have an author’s copy of your published work to use as part of your portfolio.

The only challenge with focusing on a style or genre of writing is that you will automatically limit yourself to being typecast as that “kind” of a writer.

How does this affect your job hunting?

When you go to look for a job, most employers may not value writing as a skill, but they do place a great deal of importance on a job’s description. You may know that you can write about anything from widgets to embroidery because you know how to research and then write for your assignment—your employer doesn’t. Being typecast means that you may not even make it through the selection process for a job because even though you have experience writing about chocolate, you haven’t had enough experiences writing about lipstick.

A degree of flexibility is no doubt necessary to find steady work, and you may want to strongly consider selecting works to build one, comprehensive portfolio that you can then adjust for who you are sending samples to when you need it.

For my portfolio, I started out grabbing work-related samples wherever I could find them. Once I established where my strengths were, and where I was getting the most work from, then I started focusing on genre-based writing and business writing. Why? Well, writing is competitive enough as it is—by being able to narrow my abilities into two, specific areas, I’m building a reputation. For me, that works. For you, it may not.

However you decide to put together your portfolio, once you do, I recommend putting together a version in a PDF format. PDFs work great for portfolios because they give you the flexibility to email them, burn them to CD, attach them to your blog or website, and give you instant exposure. If you can, try to keep your “samples” fairly short (500 words or less), unless your potential employer asks for something longer. Typically, employers require 3 to 5 samples of your work as well as 3 to 4 references.

Overall, remember that the key to have a great writing portfolio is to decide what your writing goal is before you put the pieces together. Once you know what you want, assembling a portfolio is a lot like putting together a puzzle. Regardless, remember that your portfolio is for you—even if you’re using it to get a job or an assignment. No matter whether or not an employer “likes” your samples or not, there will always be someone else who comes along who does.

Freelance Writing Tip #20: Interview Cautiously

Since writing jobs are so few and far between, when you get to your very first interview, it’s very common to let that enthusiasm shine through. Unfortunately, enthusiasm sometimes means that you’ll take one-too-many allowances to get the job. Finding a job is a heck of a lot like dating; just like you wouldn’t want to reveal too much about yourself on the first date–you don’t want to tell an employer you need the job to pay for your grandkids’ day care, that you are on anti-depressants, or how many people you’ve dated the first time you meet with them.

Laughing?

Believe it or not, in my experiences hiring others to work for me in different companies I’ve worked for, I’ve heard those exact same words.

So if you are as passionate and excited as I am about writing, use it to your advantage. Channel that energy into asking your potential clients or employers about what they do and more about their business model. You’d be surprised just how much you can learn by listening more than speaking. And here’s one thing, though. Even if you find out that you’ve made a mistake, or they wanted someone with more experience, that knowledge you gained will help you in your next interview. Don’t get discouraged by that rejection because you did all the right things; be encouraged that you did do what you needed to.

It never hurts to practice interviewing and being professional because you never know what could happen in the future. One person that “rejected” you for one position might be the very same person working for another company, months down the road, hiring you for a different job.

In the writing business, you just never know where someone might end up.

Freelance Writing Tip #19: Reading the Classifieds

When you are looking for full-or-part time employment as a writer, there is no such thing as a “writing” job category in the classifieds. Many employers don’t understand the full value of having someone employed as a full-time writer, and this shows when you look for opportunities. Most jobs have different aspects or components of them, one of which is writing. In other words, your full-time job could be 75% writing, 25% marketing, or it could be 50% writing, 50% web design, and so on.

So how do you overcome this? By researching on specific keywords instead of looking in categories. I’ve found writing opportunities in engineering, advertising, marketing, education, and so forth. Some positions didn’t even have the word “writing” in the job title, but the job was over 60% sitting down at a desk and copywriting or research writing every day.

A good thing to keep in mind, too, is that positions that are valued by an employer will appear in the classifieds and might pay higher than it would if it was a job posting in a window. I’ve found this to be true time and time again, so be sure to do a little legwork researching your potential employer before you apply to classified ads.

Remember, finding a writing position is like trying to find a diamond in the rough.

Resumes & Portfolios for Writers: Part One

The bane of every inexperienced writer’s existence is building a resume. Having a strong resume that lists your written work is so important, and it is a useful tool for several reasons. First, it sends the message that you are serious about your writing. Second, it helps potential “clients” and editors have something to refer to when you try to convince them to publish or hire you to write. Novice writers often make several mistakes when they build a resume, however, because they often don’t tailor their experiences to the business they are writing for or worse—don’t provide any references. The good news is that there is a way to pad your resume honestly, so there is no need to stretch the truth.

Through your writing experiences you probably have written dozens of “published” work that normally wouldn’t even register on your radar. For my own resume, my list of uncredited publications is 10 times as long as my list of credited works. What constitutes an uncredited publication? Think about all the times you’ve written business letters, proposals, ad copy, programs, reviews, article summaries, flyers, book or movie descriptions, concert reviews, and so on. Technically, any time you write for someone else—work or play—that piece, regardless of what kind of writing it is, turns into a potential resume builder.

Resumes for writers, just like other career, need to be tailored, written well, and easy-to-reference visually. It’s easier to build a list of written works before you worry about who you’re trying to impress with your resume, but it’s a bit harder to sift through and remember all you have.

Before you write your resume, have a few brainstorming sessions about what work you’ve done. Separate your work into three categories: uncredited publications, credited publications, and jobs where writing was part of your work. Next, “tag” your work by identifying what type of writing it is: technical, business, fiction, non-fiction, etc. After you have a completed list, systematically build your resume according to the writing job requirements you’re trying to get.

In many cases, written work that is “uncredited” can not be listed individually on a resume for confidentiality reasons, but you can list your work in two other ways—either as your employer, or as a reference. Of course, you’ll need to contact your references beforehand to let them know what you’re doing, but many clients, editors, and publishers will be more than happy to give you a reference for your efforts. Really, a recommendation is the least they can do since you can’t include uncredited assignments in your portfolio or as a single publication. By turning your writing experiences into talking points, even a writer who has never published a short story or article can have a decent resume that will lead to your next publication.

Writing Exercises #1: Learning Word Conservation

One of the things that is extremely important to a modern writer’s style is something called “word conservation.” In other words, how can you say what you need to say in the fewest number of words possible? Most people understand word conservation intuitively; ask someone about any legal, insurance, or financial documents and you’ll hear them say things like, “Wow, I can’t understand these documents. It’s so wordy.” Or even things like, “How did I miss that?” when referring to a decision or a sub-clause that didn’t work in their favor. Others, who have read 18th or 19th century literature, know exactly what it means to read long-winded, fancy prose that takes forever to get to its point.

Many modern writers opt to use a writing style which doesn’t mince any words. This is especially true for technical and business writing, since busy schedules require people to ask for information that leaves out the details for water cooler conversations or meetings. In fiction and non-fiction, word conservation is a function of a writer’s style. Of course, styles change for any number of reasons—time being one of them—and you could easily spend years researching the progression of word conservation through different authors, historically. Yet, there is also such a thing as “too much” word conservation—you can easily spot this style attribute when the prose sounds clunky and flows unevenly, making it difficult to read.

Whether or not you decide to use word conservation in your own writing style, it’s still important to know how to write succinctly because in this day and age there are many occasions that will call for a clear, direct writing style that has more of an impact on the reader.

Try these word conservation writing exercises:

Flash Fiction: Flash fiction, or flavor text, is a great way to put word conservation skills to use. After you decide on a word count (typically 500 words or less), spend a few minutes brainstorming about a story idea. When you brainstorm, don’t hold your imagination back and let the ideas flow. Once you have a basic plot formulated, then channel those energies into a story. Don’t worry about how long or how short it is, just get the words out on paper. After you have your new story, whether it’s 20 pages or 2, then pare it down to a 500 word piece of fiction. By forcing your story into tight constraints, you’ll find yourself stripping down your extra words until you get to the bone. Some writers find it best to get it all out before they edit; others can edit in their mind. Definitely work with whatever method is best for you, but often times if you’re not experienced writing in this format, it’s easier to hone and polish your work when you have something down on paper.

Editing: One of the ways to learn word conservation is to edit someone else’s work. Choose the wordiest, passive tense passage you can find; it doesn’t matter if it’s from “Last of the Mohicans” or your life insurance policy. Read through the passage a few times, then hack it to pieces until it makes sense. Change passive verb tenses (ex. was singing) to active (sing, sang, sung), slash prepositional phrases (books of poetry to poetry books), and change indirect phrasing to direct. By editing passages you already identify as wordy, you’ll become an expert at catching verbose phrases that may pop up in your own work.

Classifieds: Imagine you’re selling a product and want to write an ad for it in the newspaper. Limit your word count to 50 words or less. While 50 is typically more than what you might get in a media publication, the point here is to utilize words to sell your product. A variation of this is would be write a personals ad or an “employment-wanted” ad about “you”; highlighting a particular aspect of your talents, abilities, or personality. While the intent of writing an ad is different than writing a piece of fiction, mechanically you are still writing for an audience. The only difference is this time, you’re trying to use as few as words possible to sell an item or service—and not tell a story.

Media Synopsis: If you’re up for a challenge, try writing a movie, video game, book or other media synopsis. Take as much time and as much length as you need to fully describe the story. Once you’re done, pare your description down a couple of times until you can tell what happened in one paragraph. You’ll find that you’ll lose some of the action details, but as your description gets more and more focused, you’ll find yourself able to describe your own work—an essential concept if you want to sell or pitch your work to someone else.

See if you can come up with your own word conservation writing exercises. As you become more and more aware of the way you craft your sentences, you’ll find that you overall writing will improve, regardless of the way that you want to communicate or tell a story. Regardless, remember that while your writing style is your own, in these hurried times there are plenty of occasions that call for “tight” passages that is packed with words that engage the audience and retain readership.

Happy writing!

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