Announcing the Release of THE QUEEN OF CROWS

The Queen of Crows by Monica ValentinelliCentered around a short story entitled “The Queen Of Crows,” I designed a unique, digital product that I think you’ll really enjoy. At a retail price of $4.99, you will receive a magazine-style layout of THE QUEEN OF CROWS, a professional illustration of a character named Mahochepi and more!

This product is the first digital release set in the world of the Violet War and is also the first fiction product published through Flames Rising Press. The short story, which is entitled “The Queen of Crows,” takes place during the 1860s and focuses on the tough decisions that a Navajo elder named “Tse” must make to save his people. Will he summon Mahochepi, the Queen of Crows, without knowing who–or what–she is? Read the story and find out!

Here’s what you can expect to receive when you purchase THE QUEEN OF CROWS:

    * The Queen of Crows: A Short Story
    * Inspiration
    * Original Character Portrait: Mahochepi
    * Who Is Mahochepi?
    * What Is the Violet War?
    * Letter to the Reader
    * The Queen of Crows: First Draft
    * Printer-friendly black-and-white version and full color version

The product will be initially released in digital format through http://www.drivethruhorror.com, but other formats will be made available. To keep up-to-date with news about his product set in the Violet War, be sure to visit VioletWar.com.

What are you waiting for? Visit THE QUEEN OF CROWS at DriveThruHorror.com today! There, you can preview this unique product before you buy and then download it for yourself!

About the Contributors

    MONICA VALENTINELLI is a professional author and game designer. Described as a “force of nature” by her peers, Monica is best known for her work in the horror, dark fantasy and dark science fiction genres and has been published through Abstract Nova Press, Eden Studios, White Wolf Publishing, Apex Magazine and others. Her credits include: a short story titled “Pie” in the award-winning Buried Tales of Pinebox, Texas anthology through 12 to Midnight, an original flash fiction piece entitled “Prey,” which placed an honorable mention in a Mirrormask writing competition and “Twin Designs,” a science fiction novella for the Tales of the Seven Dogs Society collection through Abstract Nova Press.

    LEANNE BUCKLEY is a professional illustrator with over ten years of experience under her belt and has worked for both the comics and gaming industries. Her clients have included: Image Comics, Mattel, White Wolf, Paizo, Wizards of the Coast and several others. In addition to her freelance illustrations, she was a Senior Artist for four years at Humanhead Studios, a video game design studio. Her work includes: Put the Book Back on the Shelf: A Belle and Sebastian Anthology through Image Comics, Cthulhutech through Catalyst Game Labs, the Exalted line for White Wolf Publishing, and layout as well as concept work for Mattel. For more information about Leanne and her contact information, visit http://leannebuckley.com/.

    SHARI HILL is a professional editor, layout artist and writer with over 15 years of experience in non-fiction, gaming, and academic publishing and communications. She is currently a communications coordinator at a private university. As a freelance editor, she contributed to the All Flesh Must Be Eaten line by Eden Studios, and her credits include the Worlds of the Dead setting collection, the Book of Archetypes series and the Eden Studios Presents series. The Queen of Crows features her first credit as a cover artist.

    March 1, 2010
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    Guest Post: Gender Portrayals and Genres at Apex Book Company

    This month, I talk about Gender Portrayals and Genres over at Apex Book Company.

    In early science fiction and even horror, gender roles were often idealized according to the culture and the author’s views and experiences at the time the work was written. A good example of that are the few female characters in H.P. Lovecraft’s fiction and his attitudes toward other races and classes. While it may be extremely difficult to read some of his stories now, because they are rife with depictions that we would not deem to be politically-correct, Lovecraft was also a product of his generation. Could the absence of women in Lovecraft’s work be the reason why there are so few mainstream horror female authors today? Hard to say. I think what we can say is that an author’s lifestyle and background often play a subconscious role on the evolution of their characters, too. Whatever Lovecraft believed played a role in not only what he had written, but how he wrote it.–SOURCE: Gender Portrayals and Genres

    Stop by and read the post, or check out a preview of THE CHANGED by BJ Burrow, which was published by Apex Book Company. I have several of their titles on my “to read” list, so if you’re into horror and science fiction, you might want to check them out.

    February 18, 2010
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    New Guest Post on Apex: Discussing Rape, Incest and Abuse in Horror

    This week, I offered the folks over at Apex Book Company a blog post entitled, “Why Do Some Horror Authors Write about Rape, Incest and Abuse?“ This was a sensitive topic to write about, and I found out after the article was published that I made a slight oversight in the post.

    My goal for this article, was not to provide a definitive “answer” on this subject, but to facilitate discussion and to get people really thinking about writing for “shock” value or how they might address serious issues like rape, incest and abuse.

    Let’s take a look at a quote:

    Good horror stories can cause a reader to react in a number of different ways. They can jump out of their chair, groan in disgust or feel their skin crawl. Fear, however, isn’t the only emotion a reader can feel. They can also feel empathy for a character, anger because the villain got away, or sadness because a victim died. These reactions occur as a result of the story’s pacing or description; an author’s goal is to help guide the reader through a broad range of reactions so that the reader won’t put their book down.–SOURCE: “Why Do Some Horror Authors Write about Rape, Incest and Abuse?“

    If this topic interests you, there’s a lot of comments and interesting discussion on the post that you might want to check out. As I mentioned earlier, I firmly believe that there aren’t definitive answers to my question. I just feel it’s a question worth exploring.

    January 22, 2010
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    Guest Blog on SFWA: Do You Know How to Sell Your Sword?

    In my latest guest post on the SFWA blog, I discuss the sales cycle from an online and an offline perspective. Do You Know How to Sell Your Sword? offers you my perspective from working in online and offline retail, by providing you with a metaphor about a blacksmith who is trying to sell a magic sword.

    The online sales cycle is a very passive one for retailers, because no matter how much any store owner may try — the seller is not in control. The buyer is. At a convention, for example, organizers will help facilitate traffic and flow based on the physical layout of the hall. For any website, a reader can access that store from any page because of something called natural or organic search; not “just” the home page.– SOURCE: Do You Know How to Sell Your Sword? on the SFWA blog

    Be sure to subscribe to the RSS feed for SFWA for more articles and updates. My next guest post will be a “hit list” for authors about things to include on a website, so stay tuned.

    November 12, 2009
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    Read my Guest Post about Dracula on the Crackle.com Blog

    Crackle.com LogoFolks, I’m pleased to announce that I have a guest post over at Crackle.com.The best part about Crackle.com, is that you can legally watch original and older content for free online — without a lot of commercials! As part of their Halloween celebration, they’re offering really, fun movies for fans to watch like GHOSTBUSTERS and CANDYMAN.

    When they asked me what vampire movie I wanted to write about, I initially chose FRIGHT NIGHT as my first pick. When they had mentioned that they needed someone to write about BRAM STOKER’S DRACULA, I was interested because I’ve often considered the film to be a “paranormal romance.”

    In the novel, Mina does not return the Count’s love. In the film, she not only returns his love, she pities him and fights for him. This is an important difference between the two because this version of Dracula does eventually find forgiveness from the same God he turned his back on centuries ago. The phrase “the blood is the life” holds layers of significance here as well: the blood of God and the vampires’ primary sustenance. — SOURCE: Love, Blood and Fangs: Bram Stoker’s Dracula at Crackle.com

    If you’re interested, I invite you to check out my post on Crackle.com’s blog. Remember, you can then watch BRAM STOKER’S DRACULA for free, too. Enjoy!

    October 31, 2009
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