My Interview with Cerise Magazine

This month I was interviewed by a girl gamer after my own heart; JoAnna Gootee is an interviewer for a girl gaming webzine called Cerise Magazine whose mission statement calls out the need for a feminist publication:

We are a feminist publication and oppose all forms of oppression and the ways in which that oppression manifests itself in game communities in ways that hurt women, transgender individuals, queer-identified people, people of color, people with disabilities, and other marginalized individuals. We hope that our inclusive philosophy will propagate to help the game industry and culture at large become an environment welcoming to people of all identities.

Cerise Magazine Interview with Monica Valentinelli

The site features a monthly issue that has news, reviews, and other content targeted toward girl gaming. Be sure to check out some of JoAnna’s other interviews that includes names like: White Wolf freelancer Jess Hartley, Lady Fireeze of the Guild of Gaming Women and Sara Girard, Marketing Lead for D&D.

The Myths And Realities Of Writing For The Screen and Stage

Today’s guest blog post is brought to you by Joe Filippone–an experienced playwright and screenwriter. Joe has a unique perspective on writing for the screen and stage, and helps dispel some of the myths surrounding this lucrative form of writing. I’m happy to feature this fact-filled guest post about the forms of playwriting and screenwriting and what you can do to see your play or movie come to life.

Playwriting vs. Screenwriting

Everyone seems to think two of the easiest ways to break into the writing world are playwriting and screenwriting. After all, those are the two easiest realms of the writing world to break into. All you need to write is dialog and a few meager stage directions or camera angles that no one cares about anyway right? You don’t need to worry about character development, writing what the character is thinking or filling the page with vivid descriptions of the environment because the audience will see it right? And you don’t need to worry about making it novel length. A play is maybe eighty pages at the most. One can easily get it written over a weekend, mail it to some theatres and just rake in the royalties. Right? Wrong. Writing for actors is one of the hardest, difficult aspects to break into. Here’s why.
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Can Online Novels be Successful? Find out from Novelist, Ryan A Span in a Guest Post

Hi everyone, special thanks to my guest bloggers who are helping me frame up some great posts this week. The first guest blogger I’d like to introduce is Ryan A. Span, who got his start posting an online serial novel. Ryan is blogging today about his experiences posting a well-read online novel which led to print publication through a small press publisher. Ryan’s writing style is kind of interesting, because he shoots straight from the hip and doesn’t look back. I hope you enjoy this post as much as I enjoy exchanging emails and interacting with him; Ryan’s a really nice guy and very passionate about what we all love to do–write.

About Ryan A. Span

Ryan A. Span is 24, lives in Britain with his girlfriend, and writes books because he doesn’t know how to do anything else. Ryan is the author of Street: Empathy, his cyberpunk debut published by Gryphonwood Press, part of the free-to-read online serial Street.

What it’s Like Being an Online Novelist

One fateful evening in December 2006, I was sitting in front of my latest novel-to-be and decided that this was the one. I’d toyed before with the idea of making regular online releases of my work but had never been quite convinced I had it in me. This time, though, I knew I was holding a story with the potential to go all the way.
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Guest Blogger: Freelance Reporter Chris Welch on his Coverage of Wisconsin Flooding

Folks, I have a rare treat for you. Today I’d like to give the floor to freelance reporter Chris Welch, who has been covering the flooding in the state of Wisconsin. I had met Chris at a science fiction convention in Madison called OddCon where we were speaking on some of the same panels. Chris is the sort of guy that you’d like to hang around; he’s very personable and loves to write and speak about writing. In his first-ever blog post, Chris speaks from the heart, talking about what it’s like being a freelance reporter when a tragedy like the Wisconsin flooding occurs.

“They’re not talking about us.”

That statement, a frustration voiced by a Fort Atkinson resident about his flooded neighborhood, also provided a concise reason why writers like us write.

I’d like to thank Monica for the opportunity to guest-blog here. “Words on the Water” seems the most fitting place to blog on writing about floods and the stories surrounding those floods.

There’s a 30-county region of Wisconsin affected by various forms of saturation. But, as a freelance reporter for a small-town newspaper, I’m only concerned with one, Jefferson County. The newspaper covers three main cities here: Fort Atkinson, Jefferson and Whitewater (which is divided by Jefferson and Walworth Counties.)

Picture of Wisconsin Flooding in June 2008My usual beat is Whitewater, Wisconsin. It was spared major flooding, so my editors asked me to cover some flood-related stories, which affected the cities of Jefferson and Fort Atkinson most drastically.

Except half the stories I covered this week were other stories — stories that the flood did not have any affect on at all. Despite evacuated homes and businesses, there were other things people wanted to talk about. I’ll get to those in a moment.

The floods had their own tales, which were stories for me to tell.
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“Prey” a Horror Fiction Podcast

I’m happy to report that a flash fiction piece I had written, entitled “Prey” will be published on http://pseudopod.org/ tomorrow. This piece was really fun to write; it is a Lovecraftian-horror scene written from the mind of a bird of prey. I had submitted it to Pseudopod months ago, after winning an Honorable Mention through a Neil Gaiman Mirrormask Competition hosted through http://www.futurefire.net.

It will be really cool to hear someone speak the piece, this will be the first time that my work will be acted out in a podcast.

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