Using Need to Combat Waiting

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It is bitter cold here; the snow falls gently but steadily. There’s been no sun. The sky is grey. And though it started out mild — Winter has yet to fade from memory. I like Winter and its holidays — though I like to celebrate calmly and quietly, as opposed to getting worked up over the perfect placement of glitter or whether or not there are spots on the silverware, and I look forward to enjoying the days as the light stretches and it’s no longer dark by four p.m. Though, admittedly, I do prefer the stories of old, the idea that there’s a battle between light and dark and, just as one example, the chariot of the sun returns victorious for a time. I am definitely a seasonal creature.

Writing, however, can’t follow a seasonal pattern. It has to be year-round for me, for anyone who runs a business or hones the craft. If you wait for the perfect environment, you’ll be an eternal Virgin, sitting in a chair, wondering when your White Knight (or White Lady Knight) will show up and rescue you from the dream you’ve trapped yourself in.

Waiting, waiting, waiting — the true death knell for any creative. There’s always something to wait for, sure, but it’s a trap that can affect my/your ability to write. You wait for word before taking on anything new. You wait for a client’s payment to come through. You wait to see how the book’ll be received by reviewers, agents, fans. You wait for a big deal to come through because that’ll determine the next “x” months amount in your schedule.

But all that time spent waiting? Occurs simultaneously or in conjunction with other creative efforts. The media bills “comebacks” — that’s a marketing term — but in the mean time: the bills still come, meals still have to be made, and life still happens. It still happens, every day, regardless of what news comes down the pipe.

And so must the written word.

I’ve entered a few bad business arrangements and, after a while, I realized that those red flags forced me to question what I was working on and who I was spending my time with. That caused a different kind of waiting, the type that occurs when you enter into your own form of decision paralysis. I’ve worked with AMAZING people, mind you, and have been invisible on a number of projects, but I’ve also had some experiences, in particular where my work was supposed to be the focus, that fell through. It happens, you get over it, and you move on. But the bills still come, I still need to eat, and I still have to have a life, regardless of the ups and downs I encounter in my career.

Where I spend my creative time is as important as who I work with. However, the where’s and how’s and when’s are all fine well and good — but the words still have to flow in spite of everything else that’s going on. And, what I’m realizing, is that emotions can affect creativity moreso than stalled news. When I feel anxious or stressed, I need to either channel that emotion into my work, or write through that either in journal entries or blog posts that get deleted, so I have a blank slate. Tabula rasa. When I’m experiencing bad emotions, I need to write MORE, not less. And that’s how I move forward.

Even outside of personal news or baggage, there’s a lot to get pissy about. Gun control. Gerrymandering. Gay rights. Cohabitation rights. Women’s rights. War. Climate change. Artist’s rights and payment. Nerd rage (or lack thereof). Misogyny. Etc. Etc. Etc. But, like getting addicted to television or games, spending hours upon hours consuming media instead of creating it, these are “junk food” emotions that you don’t really feel, because it’s not really happening to you, but the media is geared to make you feel that way so you respond by commenting or clicking through or paying attention. You feel like you’re personally affected, like your buttons are all being pushed at the same time, because the reporters have a job to do, and that’s to GRAB YOUR ATTENTION ZOMG RIGHT NOW YOU HAVE TO PAY ATTENTION TO MEEEEEEEEEEE!

They’re trying to get readers, much like you or I might, and they have. It’s infuriating, but these sensationalist tactics work right now. (I hold to my prediction they won’t always work and this, too, shall pass eventually.) Contemporary journalists have created a need. Even though you don’t “need” to know, you really do. They have done a tremendous job, and it affects anyone who’s online even a fraction of the time.

I feel there’s a lesson to be learned here. That this “need to know” can translate to a “need to write.” I don’t care how many words I write in a day anymore as long as I’m writing them. I have to balance the projects I’m working on and have made smarter decisions about which projects I choose — but I need to write. I have to write.

It begins with free-writing out my emotional kerfluffles, all of it, shamelessly and guilt-free, on a fresh piece of paper. (A tip I picked up from The Artist’s Way.) I do this to discharge everything that’s in my head and heart, so I can valiantly approach my stories and game narratives with a clear perspective. I replace meditation (waiting) with writing (doing) and then I’ve written something before the real work begins. I do this, because all this shit builds up, all my reactions to the “need to know” that surrounds me, because this is how I respond to the sensationalists — I can’t “do” anything about what’s happening other than voting in my own state or participating in a community event in my own backyard. If I’m not “doing” — I’m “waiting.”

And that is the death to any creative.

Then, after I “do” for myself, I get to work — more doing. After work and meetings, I make the most out of my free time. I cook, I read, often for research or work, I design and create jewelry on my own or with my friends, I game, I work out, travel, and enjoy the full breadth of what the seasons have to offer me here. Obviously, more activities are planned around conventions and the warmer weather, but the point of this, is that I’m still doing.

So, to sum up?

STOP WAITING. START DOING.

    Mood: The sun will come out… SOMEDAY.
    Caffeinated Beverages Consumed: Had to kick brain cell-killing diet soda, so feeling sluggish.
    Work-Out Minutes Logged Yesterday: Up and down and all around.
    In My Ears: “You Don’t Dream In Cryo,” Avatar soundtrack. (Hey, don’t judge. The soundtrack is good.)
    Game Last Played: Sonic and All-Stars Racing Transformed
    Movie Last Viewed: Lorax
    Latest Artistic Project: Holiday gifts. Man, I should mail those out…
    Latest Release: “The Button” We Are Dust anthology

When You Can’t Get No Satisfaction

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John Adamus wrote a post today about The Writer and Fairness, in which he mentions how a lot of writers aren’t content because they’re not treated fairly, and why that shouldn’t be an issue.

I agree for the most part but, in my experiences, the issue of being treated fairly is often made complicated whenever finances or marketing of oneself, others, or a product (e.g. books) is involved. Additionally, it is absolutely true that sexism, racism, and all those other -isms exist. Sometimes, an author gets slighted (or receives unjust praise) not because the work is (or is not of) superior quality, but because the publishing industry, self-published or not, is run by people. Not robots, not hamsters on a wheel, or cultists — but mercurial human beings with all manner of beliefs and personalities.

Though it will increase your chances, I do not believe your success solely relies on writing the best story possible. Success is not achievable unless you define what “success” means. I feel you absolutely need to determine its parameters in order to be truly happy, manage expectations, and achieve your goals. Not everyone wants the same things. Again, this is another reason why people get extraordinarily nutty on occasion — peer at your creative works through the eyes of anyone else, and you will see a distorted image. We do this (I’ve done it once or twice) because honest feedback is rare even in an internet age. Occasionally, we seek guidance to know we’re headed in the right direction, even when you’re the only person who understands where you’re going and how you’re going to get there.

When you hear something positive about the work you’re doing, it can be very encouraging. But when it’s not? Or when it’s fake or what have you? I think you know what happens when negativity hurts, because you’ve seen the result of that. You’ve seen “author bad behavior” where they go off on fans. You’ve heard about writers attacking other writers. This has happened before and it will happen again. Either way, positive or negative, those comments shouldn’t stop you from the act of creation. That, my readers, all circles back to you. This is where I feel the test of a truly contented artist lies: that you will go on, in spite of all the bullshit, because you are an artist, painter, sculptor, writer, etc. and you will not let anyone or anything get between you and your creative works.

Whenever I’m dealing with major dissatisfaction, I ask myself a few questions to hone in on the real problem. For smaller annoyances, I either rant or make a sarcastic comment or play a game or dive into a new project or whatever — and then I move forward as quickly as possible. Sometimes, I get stuck and I have to work through a tough decision about cutting personnel or severing ties with a publisher, etc. Other times, I require focus. e.g. Not be online. In the end, the work has to come first for me – which is where these queries come from.

1) What did I expect to get out of the situation in the first place? – If the answer is: I did this as a favor, took a lower rate, or let a lot of mistreatment go without saying anything, etc. etc. etc. Then, clearly, I should not expect to be treated well in return, because I did not put my own considerations first in a reasonable and healthy way. By taking too many shortcuts and one too many niceties, I’m basically sending out an unconscious message that I’m too accommodating or that I don’t care about myself or my work. Ergo: I’m supporting an illusion that I’m a doormat. Instead, the solution here is to remind myself of two things: one) I am self-employed and two) I have every right to take my career seriously. Because if I don’t — no one else will, either. That L’Oreal advertising phrase “I’m worth it!” from years back? Applies.

2) Is the company/person professional? – There are a lot of different types of authors out there. There are, also, a variety of publishers. Some run a business, full-time, and earn their income off what they do. Others? Well, you’ve seen market listings 4theluv. Some publishers don’t expect to make any money. Toss finances aside, for a second, and focus on the word “professional.” Size of publisher matters not. Volume and quality of publications matters not. People, on the other hand, are everything and it’s quite possible that no, they aren’t going to be professional. I’ve found that most don’t care where you’ve been or what direction you’re heading for; they deal with you as you are now according to their own objectives. Unprofessionalism explains a lot of industry-related treatment; while inexcusable from my perspective, even bullies get book deals. Knowing that, there’s really only one thing I have every right to be worried about: the words on my screen. Sometimes, though, certain comments and remarks are taken out of context and that can cause hurt feelings on both sides. Publishing is a people business. And people don’t always say or do the right thing. The majority of times, I believe mistakes are unintentional; sometimes, though, they are.

3) Has this sort of thing happened before? – In my experiences, problems can either be endemic or specific. When they are endemic, the answer is “YES!” But you don’t know that unless you talk to people or have loads of experience. When they’re specific, well, there’s still a bunch of factors that could have borked the situation. It’s fundamentally true that you will not get along with everyone; sometimes, you have to find the people that you DO get along with, but that requires social skills and/or copious amounts of alcohol. (I jest on that last. And not joking about the social skills.) This industry is pretty small and, if you’ve been around long enough, you’ll probably make a few friends, enemies, and (though I loathe to use this word) frenemies. You’ll hear rumors, conjecture, gossip. You’ll find opportunities, get recommendations, and exchange favors. And, eventually, you’ll start to navigate the industry the same way you do your day job (if you have one) or your social life. Having a support network, whether they’re in the industry or not, really helps ground me.

4) Am I happy with the quality of my work? My ability to produce words? Upcoming projects/contracts? Financial solubility? Where I’m at with my career? – These yes or no questions sum up the crux of any dissatisfaction issue for me. In order, right now, as if 1/21/2013: yes/yes/yes/no/no. Ah! So I’ve just confessed I’m happy with my work, but I’m not satisfied with my overall career.

This little reality check nails what I need to focus on and identifies the possible source — the real epicenter — of my distress. No room for “maybes.” If I say “maybe” for any one of those questions, I count that answer as a “no.” The more yes’s I have, the more content I usually am. Win win, I say. More words on the screen cures all ills.

Or, as they quip here in double digit freezing temperatures… Time for chocolate mint cookies.

    Mood: cold
    Caffeinated Beverages Consumed: Not enough
    Work-Out Minutes Logged Yesterday: Blargh. Housework.
    In My Ears: Nothing.
    Game Last Played: Bears!
    Movie Last Viewed: Lorax
    Latest Artistic Project: Holiday gifts
    Latest Release: “The Button” We Are Dust anthology

A Semi-Obligatory but Sort of Not Really Progress Update

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2013 is off to a fantastic start! I’ve delivered a little over 10,000 words of fiction so far, submitted quite a few other pieces, and circulated a number of pitches plus I’m now diving head first into Kickstarter planning, new stories, scripts, and RPG-related material — and that’s just for my writing and editing plate. That Cortex Plus Hacker’s Guide Kickstarter I mentioned earlier? Funded in less than a week! Now onto the stretch goals! For John, we’re celebrating the upcoming release of his new game ROFL! which will be released through Cryptozoic and working on a few other sekrit projects.

I also just received my schedule for the GenCon Writer’s Symposium. I was invited to work with SFWA publicist Jaym Gates on the Business Track; I have not opted for any panels outside of that. I’ll post a final schedule later on. I also have two time slots in Author’s Alley where I’ll have my books and games to sign and I’ll be doing a reading with author Paul Genesse.

I was so excited about everything that’s been going on, I got a little lax with my social media embargo. I gotta tell you, it feels great to be in smack dab in the middle of a whirlwind and so much fun!

    Mood: Boo-yah
    Caffeinated Beverages Consumed: I WILL NOT CONFESS MY ADDITION.
    Work-Out Minutes Logged Yesterday: A few, but it’s darn cold!
    In My Ears: Amy’s Choice Doctor Who
    Game Last Played: Bears!
    Movie Last Viewed: Resident Evil: Apocalypse
    Latest Artistic Project: Holiday gifts
    Latest Release: “The Button” We Are Dust anthology

Inspiration Through Self-Publishing?

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I felt this article was really interesting because it talks about how one writer gets through the plateaus.

“Salesmen chase five times the number of leads to bring in the one real sale so it’s all the same.

The difference is: writers are selling pieces of themselves. These are our ideas we’re pitching and we’re invested in these, excited by their possibilities, and would be thrilled to write any of all of them. This is why a rejection of any sort can bring your world crashing down. It can feel incredibly personal, even when it is not. An editor changes jobs, a licensing deal comes to an end, a tie-in program is canceled for low sales, the market conditions change, and so on.” — SOURCE: No Need For a Writer to be Discouraged by Bob Greenberger



His solution, to get through those slow times, is to fall back on self-publishing regardless of whether or not the work sells because you’re still productive. I think this is an interesting approach and while it’s not something I would default to, it certainly brings up the question about what writers should be doing when you hit a plateau. For that reason alone, the article is definitely worth a read.

    Mood: Tired
    Caffeinated Beverages Consumed: Pacing myself
    Work-Out Minutes Logged Yesterday: Um…
    In My Ears: Matt Bellamy. Well, not literally
    Game Last Played: Dragon Age: Awakenings
    Movie Last Viewed: The Hobbit
    Latest Artistic Project: Holiday gifts
    Latest Release: “The Button” We Are Dust anthology

Listen, Then Get Off Your Bum

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Before I begin today’s passionate rant o’ fiery-ness, here’s what started this blog post. A comment I made on Facebook saying:

If I measured my success as a writer based on everyone else’s opinions of me, I’d give up right now. I don’t. I’m not writing for validation. I write because I love doing it and even though a professional career in storytelling is extraordinarily difficult — what *isn’t* challenging that’s worth fighting for? I write because I love it. And I’ll keep on writing, regardless of where I “end up.”



And, here’s a quote that meandered to me via Steven Long.

“I try to trust my instincts as much as possible. As a writer, all you do is have people tell you you’re wrong and you suck 24 hours a day, so if you don’t listen to yourself, you’re just going to end up in a mental institution.” — Amy Sherman-Palladino


Negativity is ridiculous in our world today and it can overpower you if you let it. I don’t want to be one of those people who wallows in the awful and is so affected by it I don’t act or write or do the things I want to do. Have I suffered from depression at times? Yes. Have I worked through it? Yes. Have I spread that negativity around myself on occasion? Yes. I’m human. I make mistakes. Then I put on my big girl panties, deal with the situation the best I know how, and get over it. I’m not consistent. I’m not perfect. I’m flawed and beautiful and myself in all its various forms. I am human — just like you.

Opinions about how valuable “you” are in any field, creative or not, are rampant. The bad ones can get to you, wear you down, make you feel like shit about the fact that everything you’ve done is for this moment — to be “X” — isn’t worth a pound of salt, but you cannot let that happen. You can’t. And I can’t either.

Nine times out of ten, when someone tears somebody else down, it’s a reflection on the ripper-upper and NOT you. It’s a power play. Low self-esteem on their part. Jealousy. A point of frustration. Sometimes, it’s not even about you. They had a bad day. They’re depressed. Somebody died. They’re ignorant about publishing. They have a specific belief about a writer’s career path that won’t be changed. Other times, when it sounds negative but it’s really not, it’s a little tough love that comes down the pipe. Do you want to give up? Are you really writing or playing Angry Birds Star Wars? What is your work worth to you?

Here’s the secret: whatever you do? It will never be good enough. As a writer, there are layers and layers of “validation” built into this community. Are you popular? Did you win a Hugo/Nebula/ENnie? Did you get a movie/book deal? Who are you published with? How many books do you have out? How successful is the TV/film series based off your books? Did Publisher’s Weekly give you rave reviews? There is always something wrong with you or your work — unless you’re so successful you’ve managed to move past that, but even then? The negative comments won’t stop just because you’ve “made it.” They just take on different forms.

There are positive comments in there, too. Some are said with total and complete honesty; others, to butter your ego or get something out of you. Like the negative comments, these can also overwhelm you if you let them because if you’re doing your “thing” for validation — you’ll stop whatever that is once you achieve that goal either consciously or subconsciously. You start buying your own bullshit. However, for the vast majority of the creative folks out there, positivity is hard won and hard earned, which is why it’s so easy to believe in that fake persona, that rockstar image you’ve built up for yourself. Pokes about why something’s bad are more common than why it’s good.

What I worry about, is what’s good enough for my work, my legacy of stories and games. I don’t do this to be selfish. I do this to “protect the Work.” (That’s a quote from Christine Merrill, by the way.) I work based off of what I value because if I’m always worrying about what everyone else thinks, outside of the editor/publisher/agent production cycle — then I won’t write and I don’t push forward. (It’s also important to remember the human side of the equation. There is such a thing as focusing on the work so much you forget you deserve to be treated well, too. I’ve done this and lesson learned!) Otherwise, it’ll always be about that one jerk reviewer. That asshole writer. That crappy publisher. An unsupportive family. Some douchebag on the street. And if you stop writing because of them — wherever that negative voice hails from — then you let them rule your life.

This, my readers, this is where moments of true weakness comes from. When you allow someone else to get so far into your head you stop being true to that awesome person inside yourself. I believe we are awesome. I do. But I feel like so many people allow themselves to be beat down by life, you forget the loveliness inside of you, and you get so tired your “fire” just gets snuffed right out. Don’t light a match — burn a torch! A bonfire! Roast marshmallows ’cause you’re on fire! You want to know why the assholes seemingly win? Two reasons: because we focus on that and highlight them instead of the brighter side, and because awesome folks like you have given up!

I don’t write because I’m desperate for other people’s opinions. (Some are necessary are part and parcel to doing business. I’m talking about straight up validation, here.) Everything I care about is with respect to the work, but even then there are times when snarky, overly-critical comments are made simply because there’s a personality conflict. When something bad happens, I whine and eventually (hopefully sooner rather than later) I get over it and I keep going. This is not just about persistence, my readers, this is ALSO about being RESILIENT.

Resilience means the bubble around you is not a hard shield, but a flexible, bendy material. Sometimes, things will bounce right off you. Other times, it’ll sink in. Maybe YOU’RE having a bad day. Maybe you’re in pain, physically. Maybe you’re hungover. Maybe the past has stained you. Maybe you’re so focused on the words people are using instead of what they mean. Whatever the case, not everything will bounce off. That is NOT possible for anyone whose job is focused on words — because WORDS DO MATTER. The trick is recognizing those times and dealing with them appropriately, in your own way, so you keep on, keepin’ on.

NOW GO FORTH! GET OFF YOUR BUM. AND BE AWESOME!

    Mood: inspired
    Caffeinated Beverages Consumed: You’d be surprised…
    Work-Out Minutes Logged Yesterday: Gym, Gymanee.
    In My Ears: A dog, barking.
    Game Last Played: Dragon Age: Awakenings
    Movie Last Viewed: The Hobbit
    Latest Artistic Project: Holiday gifts
    Latest Release: “The Button” We Are Dust anthology
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Monica Valentinelli >

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