On The Thing You Won’t Talk About – Part II

You're An Idiot, Starscream

Today’s post is a continuation of On The Thing You Won’t Talk About Part I, from the makers of “things” and “talking.” I promised to talk about what makes me feel uncomfortable, so here it is.

For those closest to me, you know I’ve dealt with survival before in my own life. However, I don’t use this as a fuel for my work, because that’s not what I do to “put myself out there.” Instead, I tap into those tricky questions to tell a story that’s both mine and yours. Then, I tell another one. And another. And another. . .

I’m not going to consciously write about my personal relationships. In some ways, I have a photographer’s viewpoint; the stories I tell are mine and mine alone, sure, but it’s not like anyone else has taken pictures of birds, fruit, architecture, and people before. Rejection hurts, yes, but there’s always something to be learned from it, to apply for “next time” when you’ve missed your mark. I know when I fail before someone else believes it to be so, primarily because I have, with absolute certainty, a deeper understanding of those times when I don’t feel connected to my work. There are many ways to break that connection, and too much acceptance/tolerance is one of them.

Complacency, my friends, the slow trickle of acceptance that this is just the way the world works, this is just how things are and always will be, and there’s nothing you can do to change them – this is death to any writer and this I fear. When you become complacent, slowly, by inches, the wonder gets leeched out of your world and you no longer have a story to tell that you want to write – you pen tales out of obligation.

I am not saying that writing because you have to for income-related purposes is either a morally “bad” thing or something to be feared. That, my dear Readers, is poppycock. Everyone who’s ever written professionally knows that there are economic rules of scribing part-or-full time. What I’m saying, is that I feel that you have to protect and insulate and nourish the part of you that tells stories, either non-fiction (e.g. blogging) or of a fictional sort, so you can weather your ability to write regardless of circumstances beyond your control. And, of course, there are so many of them aren’t there? Besides our base emotions, which can infect our egos and force its way like a thorn into our hearts, there are other real-world concerns that can get in the way: money, opportunity, timing, perceived competition, etc. In other words, the act of writing should be the constant, not what you hope/want to get out of it.

We often lie to ourselves, masking in obscurity the hows and whens and whys we write, to justify our work so we can go through those ups and downs of the proverbial rollercoaster with grace and ease. (Even though, it is possible to fall from grace and stumble without any reassurance, whatsoever.) I’ve certainly participated in these lies. I’ve been privy to them, sadly, to argue with the voices in my head and also to witness them in others.

The terrifying truth my friends, is this: any writer can stop writing at any time. It is so, so, so real and it can (and does) happen, for a variety of reasons, in the blink of an eye. I’ve seen it over and over and over again – even with some who’ve completely given up, and who’ll never write again. You’ve seen it, too. While there are those that can and do imagine their lives would never be complete without writing, I feel that not writing is the eventuality that happens when complacency sets in, which leads to acceptance, or depression, or whatever. . . It’s a happenstance, a direct result, of not caring about oneself (e.g. one’s Muse or scribe).

So then, knowing that is one inevitability, one foregone conclusion, that perhaps it is easier to not write than it is to get the words out, and at the bottom of this justification lies the fact that this is “hard work” – especially if you haven’t gotten the movie/six figure book deal/etc. – what does that offer me? Comfort?

No. Discomfort. This is what makes me uncomfortable, that the easiest thing, more than anything in the world, is to simply give up Poe’s ghost – this is what fuels my work, because I do not want to quit. I have not quit. I will not quit. I will NEVER quit.

I don’t know what makes you squirm, but I hope you find that one thing you can’t talk about, and I hope you pin it to the wall and experience that emotion for all its worth, to keep w-r-i-t-i-n-g if that, truly and deeply, is really what you want to do. Because for me, not writing, this is the thing I fear the most.

    Mood: Anxious
    Caffeinated Beverages Consumed: That moment of perfect caffeinated bliss.
    Work-Out Minutes Logged Yesterday: Yesssss?!?!?! Are you guilt-tripping me, again?
    In My Ears: Muwahahahaha!
    Game Last Played: Dragon Age: Origins
    Movie Last Viewed: MirrorMask
    Latest Artistic Project: In progress!
    Latest Release: “Fangs and Formaldehyde” from the New Hero anthology through Stone Skin Press

On The Thing You Won’t Talk About – Part I

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Where do you get your creativity from? When you’re writing a scene (action or otherwise) what do you use for fuel? I implore you to consider the one thing you won’t talk about. That is, to explore your discomfort in order to write. Seriously. What is it that makes you uncomfortable? Perhaps tapping into that, on a deeper level, will fuel your storytelling better than a personal experience ever would.

The thing is, deeply scarring memories will fade and you, too, shall pass through your current stage of drama. Perhaps you shall get a divorce. Perhaps you shall move cross-country to escape the uncomfortable heat. Perhaps you’ll get a part-time job so you have money to put food on the table, and then you’ll have more time to write.

Whatever the situation, if you’re always taking inspiration from your issues, what happens when those situations are resolved? Look around you. There is a literal wealth of stories in every corner of the internet, let alone the universe. What makes you uncomfortable? Apathy? Obesity? Murder or the justification thereof? Racism? An attack on intellectuals? Religious folk?

These are deeper social ills, true, but the secret to tapping into these particular veins is that they’ll never go away. There will never be a time when someone isn’t beating up someone else for land, power, money, sex, whatever. There will never be a moment when fierce forms of tribalism don’t exist, either, for this is part of what it means to be mortal.

These sample elements will always exist in some form or another, either quantifiable or not, and what you think about these things – perhaps what you don’t talk about openly, or what you don’t admit to yourself – it is these basic building blocks that you can tap into time and time again, eternally and ever more, to tell not just the one story – but 1000s of them. Not just the one story of the heroine who must resolve the differences with her teenage self to grow into a woman by facing her mother. Not just the singular tale of an unlikely hero who, time and time again, comes from the worst part of town to rise up and undo a terrifying foe. After all, if you tell just the one and only, what then? Will you get bored? Tired? Will you stop enjoying what you do because you know how the journey ends time and time again?

What makes me uncomfortable? More on that tomorrow in Part II.

    Mood: Creepy, crawly, slimy, slithering.
    Caffeinated Beverages Consumed: NOT ENOUGH ZOMG.
    Work-Out Minutes Logged Yesterday: Outside time. Necessary.
    In My Ears: The soothing sounds of the dishwasher.
    Game Last Played: Dragon Age: Origins
    Movie Last Viewed: MirrorMask
    Latest Artistic Project: In progress!
    Latest Release: “Fangs and Formaldehyde” from the New Hero anthology through Stone Skin Press

Pesky Emotions. Storytelling and Heart’s Cockles.

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Okay, I admit it. I’m penning this instead of diving back into storytelling and game design. I’m a bad writer, I know. But? I write this post and away I go. In a way, I need to get this thought process down into a digestible form that provides some amount of solace, comfort, and I suppose, in a bizarre sort of a way — complacency.

Emotions have been on my mind. I finished editing a non-fiction book earlier this month and I felt like I had grown another head, cut it off, and then seared it with a hot poker so it wouldn’t grow back. After the book, then, I experience this broad range of emotions that run from ecstatic to relief to. . .sadness. Yep, I get teary-eyed because the book is out of my system and it’s in the wild.

But, obviously, the process doesn’t end there.

I talked a bit about this with one of my other (more creative than I, if you can believe that) friends, and she said that it sounded almost like I was going through a mini-depression. Okay, if that were true, that frightens me like you wouldn’t believe — but, was she right? Was it possible I was wallowing in post-creation sadness?

I’m not sure. What I think is true, though, is that creatives have to tend to their psyche and well-being, and take great care to ensure we are doing what’s best for ourselves in order to produce efficient and quality work. In this context, I mean “quality” within the boundaries of what we feel is good enough, pending where we’re at in the process. And by well-being? I also mean holistically. Diet, exercise, friends, family, relationships, creatively. . . All of it.

Writing requires a certain amount of emotional connectivity to characters and story; the more formulaic the tale is, the easier it is to see the “seams,” and the less emotionally-responsive I get. Stories can be wholly and technically correct in every way — but they can lack emotional connectivity. While not everyone will agree with what I just said, I feel tales that offer the reader the chance to get emotionally-involved with the characters are the ones that resonate the best. Sometimes, there’s other factors involved with that emotional vibration that have nothing to do with the story. Is the book popular? Do you love the author and know what to expect? Usually though, I do think it’s how we consume that story as part of the relationship between writer-and-reader. (Key word: relationship. I’m not writing for myself, you know!)

But what happens when the writer pens sad scenes or violent snippets or characters that are “off.” Do we become our characters? No, I don’t. I may try to understand them through my writing so they’re more believable, but that doesn’t mean I could ever blow up a building or harm someone myself. It’s very easy for me to move from real world to fiction/games and back again, save for a touch of emotion. I do, after all, write characters I can’t stand and then attack them vigorously. And as I’ve said many, many, many times before, I write in the dark because I want to highlight characters that are either overcoming that evil or that not everything can be tied up nice and neat with a little bow. I love stories about heroes. Real, unlikely, reluctant, brave, nervous, etc.

Sometimes, though, it’s the research part or the emotional let-down that sends me into a strange tizzy. And then I get a touch of the “I’m not really sure I want to write this, but I feel compelled to, and I’m afraid of it.” One story I’m writing is. . . It’s everything I hate about the current climate and treatment of women. That’s a “theme,” however. That’s just a small piece of the layers and layers for that one. It’s fun to write, a blast to structure, and there are ways I’m getting my writer-nerd on here. Still, experiencing that kind of emotion doesn’t just “happen” in a bubble.

Knowing what my response is to a work means that I can either run from those potentially-negative emotions or dive in with full abandon. (Guess which one I’ll have to do? Hrmmm?) But, it also means I had to find ways of dealing with those emotions outside of the writing to prevent a darker mood in real lifeTM. How do I do that? With the silly, of course! Why do you think I decompress with crazy-fun illustrations, comics, bright colors, extraordinarily silly accessories, and games like Star Wars Legos or LittleBigPlanet? They’re brainless (after a fashion), a lot of fun, and they whisk me away from the darkness.

Lessons I learned: avoid reading dramatic books where characters die when writing dramatic books where characters might die. Oh, and. . .there’s nothing wrong with being silly, reading something silly, or just having fun with a silly game/comic/book/song, etc.

Well, I guess I lied. I guess there is one way I’m like most characters (e.g. humans). If I’m sinking into a character’s dark mood, I need to recognize that’s what’s happening and put something wholly enjoyable and fun into my post-writing routine. After all, one cannot experience light without darkness — a fact that’s both reassuring and terrifying all at the same time.

And a-way I go.

    Mood: Can I cackle? Is that allowed? Or. . .not.
    Caffeinated Beverages Consumed: I see buzzing people.
    Work-Out Minutes Logged Yesterday: I keep walking, but never seem to get anywhere.
    In My Ears: Strange Tales podcast
    Game Last Played: Star Wars Legos
    Movie Last Viewed: The Raven
    Latest Artistic Project: In progress!
    Latest Release: “Fangs and Formaldehyde” from the New Hero anthology through Stone Skin Press

Scrivener Upped My Word Count. Here’s Why.

I downloaded Scrivener for the PC a few months back, but I never used it religiously until last week. Now, I realize that some other authors may feel that this is software with too many bells and whistles is a way to provide meaningful distractions from the act of getting one’s butt in the chair and proceeding a-pace. ***warning, proceeding a-pace is my new favorite phrase*** After all, there’s only so much outlining, worldbuilding, character development, and scene mapping one can do before the words flow. (Like spice, only faster and less blue-eye turning.)

Sure, the planning portion of a project can be another timesuck (a word coined by the incomparable Lili Saint Crow, might I add) in addition to all the other timesucks out there caused (in no short order) by shiny objects, demanding cats, for sale signs, plague-carrying squirrels, online friends, and Angry Birds. What I’ve also found, is that if you’re multi-tasking and using the same computer for a myriad of other work-related activities, that it’s harder to separate pay-the-bills work from working on spec.

I was trying to figure out what my novel hang-up was, and I knew it had something to do with spending weeks (if not months) on a manuscript that may never sell. THIS HURTS THE FREELANCER’S BRAIN. In a freelancing situation you get paid, sometimes before the work is done, other times half up front or whatever the case may be. Mentally, this is batshit of course, because in order to be a novelist, the only way forward is to get the story out NO MATTER WHAT. Fire, snakes on a plane, floods, biblical-level apocalypses — butt plus chair and writing utensil of some sort is the only way to get that story down, then revised, and finally submitted.

So what’s the solution? Well, I told you I changed the layout of my office and this has, indeed, had a positive impact. I’m also building in two days at the library with no internet, to reserve e-mail in the morning and at night, in order to have solid work chunk times outside of my house. What this came down to for me, was a change in perspective.

That’s what Scrivener provided for me. I often use this trick when I’m revising: I change the font or the spacing to ensure that I can approach something with fresh eyes. Now, though, I applied the same technique when I was writing. And lo! and behold! Two hours and 2,500 words (on average) later?

Now, I have a ton of theories as to why this is, and namely it’s because when I write for RPGs, or pen short stories, or draft non-fiction articles I’m always using Microsoft Word. It’s often instinctive, I automatically look for pagination, line breaks, word count, and the like. The screen is familiar to me as it has been for so, so, so many years. By changing the software I use, specifically for long form works like novellas and novels, I am infusing something new visually and viscerally to the work. I am saying that “When I use this piece of software, I am serious about spending my time on this manuscript.”

Likely, I don’t use the software like everyone else does. Outlines? Screw it. I start with a one-page pitch document which includes a logline, a generic synopsis, and my other notes. I must know the beginning, the middle (or key milestones) and the end. Then, I can dive in and write the whole damn thing. Revisions will allow me to break up scenes and smooth out the finer details in chapter-by-chapter (or scene-by-scene) form. One novella’s already plotted and I’m having so much fun I’m writing out of order again. Hey, no one said a novel had to be written linearly from beginning to end, did they? If I’m bored with a scene, that’s what Scrivener allows me to do, I can always jump back and keep going.

And proceed a-pace I shall. Oh, I definitely shall.

    Mood: It’s Monday. Why do you ask?
    Caffeinated Beverages Consumed: Not ‘fessing up today. Screw it.
    Work-Out Minutes Logged Yesterday: Some form of physical activity which did not involve contortionism.
    In My Ears: Americano by Lady GaGa
    Game Last Played: Tetris
    Movie Last Viewed: The Raven
    Latest Artistic Project: In progress!
    Latest Release: “Fangs and Formaldehyde” from the New Hero anthology through Stone Skin Press

Routines Can Work With A Little Help

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Yesterday, 2,400 words poured out of my brain. I wrote the ending for Traitor’s Masque, Book One of the Violet War series. The original title was Argentum, but I’m not sure it pops as much. I wasn’t revising as I was writing, but I was plotting during this period, inserting notes while I went. It was almost like I was working behind-the-scenes, raw and uncensored, to allow the story to emerge.

And that it did.

That wasn’t the only thing I wrote, however. Right now I’m averaging between 4 to 6,000 words a day. I’m definitely noticing how necessary it is to manage my time. When you do any aspect of online community management as part of your “job,” it can get really hairy and have a profound impact on what you’re doing. Like checking e-mail, any time-related task that requires constant monitoring can be another way to distract you from the task at hand. To-do lists are great, but they’re not as useful (I feel) as assigning chunks of time to those tasks. For me, that’s the best form of project management. It’s not just about getting the work done, it’s about how the time you’ve devoted to that specific line item is used.

That’s where a routine comes into play that is married to your prioritization. If you, for example, have made it a goal to absolutely put writing first? Then structure your day around that, to ensure that whenever you need to write in the day, you’ve set aside that time that no one can interrupt on penalty of death.

I mean, we do this all the time. Right? Football, favorite TV shows, doctor’s appointments, classes, etc. Take the time you’d normally spend on something else, either entertaining or not, and block it out to show up and write. Then, if you lose your focus, write down whatever it is you defaulted to. e.g. Checking your phone, Twitter, Facebook, e-mail, petting the cat, ordering pizza, playing Angry Birds — whatever.

If you’re distracted and couldn’t finish that particular scene? Start another one. I’m having a blast jumping around to different points in my long-form manuscripts, because it allows me to get a fresh perspective on scenes that would otherwise be rushed or a chore. I can ALWAYS rearrange them after the fact.

My routines are blocked out into smaller chunks of time and prioritized accordingly. Thankfully, I’ve also marked off areas where I have to take free time, too. That doesn’t mean I can slack off, though, it just means that the times when I’m not writing are more valuable to me.

Anyway, you’re going to find whatever’ll work for you. Just thought I’d bring this up since many of you were jumping into NaNoWriMo next month.

    Mood: Accomplished
    Caffeinated Beverages Consumed: NOT ENOUGH
    Work-Out Minutes Logged Yesterday: A walk.
    In My Ears: METALLICA, BABY
    Game Last Played: Tetris
    Movie Last Viewed: Harry Potter collection
    Latest Artistic Project: In progress!
    Latest Release: “Fangs and Formaldehyde” from the New Hero anthology through Stone Skin Press
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