On Refilling Your Creative Well

Cat in a Bucket

Our metaphorical well of creativity contains all we need to make art: inspiration, motivation, ideas. It’s a repository of our so-called creative juices that we draw upon until we can’t anymore for a variety of reasons. When we can’t create anymore, we get tired, burnt out, exhausted and look for ways to “refill the well”.

An empty well, then, implies that we don’t have any creative mojo left. We are all tapped out. I disagree with this metaphor, because I believe burnout doesn’t just happen from running out of creativity. It can also occur when there are obstacles in our path barring us from accessing the well. That distance, that inability to tap into a fundamental part of who we are, creates blockages that lead to exhaustion, even bitterness.

If you’re not creating, the very first question to ask and answer is: “Why?” Knowing why you aren’t creating is an important step. Here are some common reasons why burn out happens.

“I’m stressed out.”

“I don’t have time.”

“I don’t see the point.”

“I’m tired of getting rejected.”

“I’m tired of being underpaid and overworked.”

Let’s start with the first one. “I’m stressed out.” Stress, whether that’s due to pandemic fatigue or not, is an added burden. It may seem counterintuitive, but self-care can be a great path to creativity. Acknowledging, naming, even describing your stressors can help validate your feelings so you can deal with it. Sometimes, it might be as simple as taking a break from social media or falling into a beloved book to give you some relief.

Self-care can also be something small and free or inexpensive. If you “hit a wall”, you might get some fresh air, listen to your favorite song, text a friend, share a joke, etc. Twenty-minute naps, free writes, or meditations are also great!

Sometimes, I go to bed early when I hit that wall. Right before I drift off to sleep, I ask a question about my creative project. More than once, I wound up dreaming about the work and my subconscious figured out a path by the time I woke up.

My goal, here, is not to say you should eliminate all stress because that’s not realistic. Being a human in 2022 is incredibly stressful! I am suggesting that by acknowledging it, caring for ourselves, and getting a little distance from it you might find a wonderful path to draw on your creativity once more.

Walking through another example… Let’s tackle: “I don’t have the time.”

I’m nodding along with you, because time is a precious commodity and a resource. No question about it. You do not have the time. So, to get creative you’d need to find it. That bit, finding the time, is a process that sucks. Either, you have to give up something or you have to sneak working on your goal in a few minutes here and there. It can, in many ways, feel like a punishment rather than a necessary part of decision-making.

My suggestion, here, is not to start by analyzing your time or doing yet-another-deep-dive into what you are or aren’t doing. You are doing PLENTY! Instead, try to change your schedule/routine before adding anything else—including creative time—to your plate if you can.

The other thing about not being able to find time, is that sometimes this is code for “What’s the point?” or “I don’t know where to start.” Or, sometimes even more insidiously, imposter syndrome kicks in and we defeat ourselves before we start. “Why should I create? Who’d care? Why bother?” Only you know if that’s the case and “not being able to find the time” is a way to rationalize the real reason you aren’t creating.

Of course, I can’t tell you how to ask and answer your specific questions, because you know yourself best. I also don’t know your “what”. What motivates you? Is it a person? A goal? A reward? What? Knowing that can be incredibly helpful, because it gives you something to aspire to or hope for.

If your answer is “I don’t know what motivates me,” try journalling or creating a vision board to find that out. You might discover that the reason why you’ve lost your motivation is because you, as a creator, have changed and you need new sources of inspiration you haven’t sought out or used regularly in the past.

Asking yourself questions and finding answers is one technique you can use to be creative again, because it defines, acknowledges, and validates how you’re feeling by giving you a path forward. Sometimes, however, the path forward isn’t “the future”. When you literally can’t plan, you might consider revisiting the past, remembering what you loved, how you used to play, what your happiest moments were.

The last thing I want to say about refilling your well, is that if these paths and techniques sound like a lot of work? Then they are too much for you right now. I can’t stress enough how fresh perspectives don’t typically come from analyzing or following the same path over and over again. Sometimes, you do have to shake things up—which is MUCH harder to do right now—to clear a path.

My solution to refilling my creative well has been to use “one small thing” for my goals. What can I do right now, in this moment? What small, precious thing can I do? Those small things might include: a hundred words, a scene, a chapter, reading a chapter, writing a prompt, writing a pitch, etc. Then, I log that information in a journal. Over time, “one small thing” becomes visible for me, a journey that becomes more evident with each passing day.

I hope, after reading this post, you feel encouraged to find solutions for your creativity blocks. What you’re experiencing is going to be different from me, and I recognize and acknowledge that neurodiversity and your health absolutely factor into this conversation. If you need additional encouragement, however, let me say this: I believe in you. I really, really do! You can find your mojo again. Or maybe, it will find you.

If you are able to create right now, could you please do me a favor? Comment on this post or blog about how you’ve kept creating during the pandemic. Every little bit helps right now, and you never know…someone might stumble across your post/newsletter/update and read exactly what they needed to. Thank you!

A New Munny… Because Art is Awesome

Monkey NinjaPicked up the last Munny from a local shop today. The accessories were fantastic. Hair, a cape, huge axe and a teddy bear. Just in time for Halloween.

Here’s a picture of the one I did before. I had help with the basic lines from my friend Leanne Buckley, which was sorely needed since it was my first one and I was getting used to the materials. Pretty excited about this one because once I get a good design going, I can work on the one I REALLY want to paint… My blank My Little Cthulhu!

I’m really enjoying the opportunities I’ve had to dive into my artwork again. It’s nice to catch a break from words every once in a while and have fun.

Day 74 of 100: Reinforcing Silence

Today’s post will point you to an article on the SFWA.org blog that I feel is extraordinarily relevant to being creative. The author, Leo Babauta, spoke to several writers, actors, musicians, etc. on the value of solitude and what it can do for you. Then, he goes on to explain how participation is also crucial. You can’t have one without the other and, if this social media sabbatical has taught me anything, I am finding that to be the case in my own life.

Here’s a quote from the article:

I’ve reflected on my own creative habits, but decided I’d look at the habits that others consider important to their creativity. I picked a handful of creatives, almost at random — there are so many that picking the best would be impossible, so I just picked some that I admire, who came to mind when I thought of the word “creative”.

This was going to be a list of their creative habits … but in reviewing their lists, and my own habits, I found one that stood out. And it stands out if you review the habits and quotes from great creative people in history. — SOURCE: The Number One Habit of Creative People

There’s several great quotes in the article and it does offer quite a few tips. The Number One Habit of Creative People is definitely worth a read if you have your time.

Fighting the Seriousness of Writing with Silly Stupid

I don’t know about you, but I get serious’d out. Yep, there’s absolutely no other phrase for it. Just out. I was reading some of my old posts the other day, and I was laughing at how oh-so-very-professional they were. To some extent, they had to be due to what was going on at the time, but I’m straying from that and mixing it up a bit.

Just as one example of how I’m getting serious’d out, is when I think about the publishing industry. The only thing that I’ll ever bet money on, is that you never know where an artist — including yourself — will end up. It’s impossible to bet on what will happen in terms of success, because you don’t know. Even then, it’s all relative. Even then.

One of the ways I’m coping with the uncertainty of the industry, is to simply sit back, ignore the news and laugh when I can. I feel there are so many serious discussions, so many things people worry about, it’s not healthy to stress about it so much that it creates writer’s avoidance behavior. The news has no bearing on my work. The only thing that changes for me is my path, and I’m always adapting/shifting/changing/growing. Always. What I don’t lose sight of, however, is the next story.

I was going to offer sage advice, but instead I will offer you two things: an XKCD strip that’s extremely relevant and Sushi Cat for some silly stupid fun! Because really, silly stupid fun is a good remedy for super seriousness.

Sushi Cat is a blast if you haven’t played it. You guide the cat through sushi-filled goodness to ensure he’s got a full belly. Along the way, he falls in love with a stuffed kitty and faces his nemesis: Bacon Dog. There’s the original Sushi Cat, Sushi Cat: Honeymoon and Sushi Cat 2. It is addicting, but the levels move pretty quickly.

By the way, here’s the strip I mentioned. Note the last panel. I defer to XKCD‘s wise, wise words of wisdom which are applicable in any field, for any man, woman or child.

Marie Curie Sage on XKCD WebComic

Ditching the Ego in Favor of the Basics

One of the things I’ve been doing, is nurturing my inner artist. It’s something I haven’t done in a long, long time. Not because I didn’t make room for it, but because I was hung up on something. I was never sure what that was, until a few weeks ago.

My ideas are sophisticated, but I feel like I could never “get there.” I used to be in graphic design, but I’d reach the point where I couldn’t advance, and then I’d stop. Either out of frustration or because something else, something more important came along. Then I’d meet someone, as I often tend to do, who’s very sophisticated in their craft. Either online or off, I get drawn to people whose styles I enjoy. Drew Pocza. Echo Chernik. John Kovalic. Leanne Buckley. Jeff Preston. Liz Danforth. Michael Whelan. Alex Ross. Keith Haring. Mike Mignola.

And the list goes on.

When it comes to my own artwork — whether that be calligraphy or jewelry making or whatever — I’d freeze up because I’d see these very. awesome. people. do very. awesome. things. Only, I could do those things, one day, if I had the time to practice what was already there. What I had already started to do, but abandoned because I wasn’t “good” enough to move forward.

To get around that? I’ve been going back to the basics. I’ve been focusing on technique and learning about new materials as opposed to worrying about this amazing idea for “X” that’s in my head. I’m not selling it or sharing it or doing anything other than worrying about those fundamentals. So far, I’ve started with jewelry making, but I will be expanding out from there. Each technique I learn I’m gradually moving into more advanced ideas to progress from “simple” to “complex.”

Applying This Principle to Writing


This morning, though, it occurred to me that a lot of writers experience the same thing. You have this awesome idea in your head for a novel or whatever, but you’re worried about the execution. You don’t know how to get the words to flow right on the page, so you write halfway through a story and you stop. Or you become the perpetual fan of another author, admiring what they do, because you don’t think you can do the same thing.

The thing is, dear readers, you can. You really, really can do whatever you want — provided you have the patience to learn. While creativity often has roots in natural aptitude, it’s also about having the right mindset and allowing yourself to be creative in a non-judgmental environment. That frame-of-mind requires you to remove all of your objections, all of those people who told you “I can’t” or “You’re dumb” or “You’ll never be…” and focus on the work. Or, as Christine Merrill once told me: protect the work.

Even if you’re not an experienced author, you still have work to nurture, to protect. It may be unfinished work or developing work or learning-how-to work, but it’s still yours. It’s still your baby. If you can’t write a novel right off the bat, don’t beat yourself up. Would you write a symphony if you just learned how to sing? Sure, you could be a prodigy, but most authors aren’t. Like pianists, practice makes perfect.

Instead of making excuses or apologizing for what you can’t do: remove your ego. Remove the idea that just because you can’t do something, means you’re a failure. You are not. Just get that out of your head. Think of yourself as a student and try working on the basics instead. Grammar. Punctuation. Sentence structure. Action scenes. Love scenes. Description. Etc.

And don’t let anyone tell you what you can’t do. Not right now, not when you’re learning. Accepting criticism, dealing with editors/agents/publishers, revising and applying comments to a story is part and parcel to being a writer, but that comes further down the road. For now? Fall in love with the words. After all, if you don’t love to write, then whatever else happens next is meaningless, because in your heart — you’ve already set yourself up to fail. You’ve said: “I can’t do this because I’m not good enough.” Instead, I’m recommending that you say: “I’m new, so I’m allowed to make mistakes. One day, I will tell the story that I want to write, but right now, I’m going to focus on learning how.”

The nice thing about focusing on my artwork, is that I’ll have examples to share with you further down the road. It’s a lot harder to explain that with writing, which is one of the reasons why I highly recommend you pick up Nascence by Tobias Buckell. If you want writing advice, this is the book to get because it does something that most writing advice books don’t — show you his failures on the story level when he first started out. That, dear readers, is invaluable because that is something that’s not easy to teach. That’s something you often have to learn.

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