An Itty Bitty Status Update

Wonder Woman Avatar

Phew! It’s been a whirlwind of a summer, and now we have a new season: Summall. Or, possibly, Summinter. We’re experiencing unusually warm weather[1], and that has put a significant dent in my combat boot-wearing capabilities. Great for Pokemon hunting, though, and getting steps in. I’m pretty stoked because I hit the first leg of my goals, and am amping up to the next phase.

Part of my good mood right now, is because I took my own advice and did several things on my tips for self-care list. I am devastated and upset by the news, but I keep coming back to what I can do. What can I provide? Make art in all its glorious forms. Give back as I’m able to. I know it won’t be enough, but I’m not an island either. I work with fabulous individuals, and we’re all doing the best we can and will continue to do so.

My workload is insane at the moment. There is no way I can participate in NaNoWriMo, either. Timing, such as it is, means my focus has to be very narrow right now. Some exciting bits I’m working on, for sure! I’ve had a lot of conversations about launching additional aspects, too, such as Patreon or Etsy. Next year is going to be awesome!

I am a little concerned, however, that social media engagement is changing because it directly impacts the discovery of creators and our art. It’s a lot more work to promote a book or game than it has been in the past; people are getting offline and definitely adjusting their usage. Can you blame them? Every time something blows up in a headline, social media is saturated with commentary about it. It’s inescapable.

Despite this, I’m not worried about marketing. To be honest, that hasn’t been on my radar for a long while. When I have blogged about social media/marketing in the past, it’s partly because I feel that sharing stories about my journey might help others in my position. Too, there’s really no “one way” to promote yourself or your books, and there are plenty of experts in the field–many already work in publishing, already. I’m lucky in the sense that I’ve logged some time in the marketing field before, and know who to ask if that responsibility falls back on my plate. Often, however, making art has been a higher priority than selling it.

Some immediate changes to my schedule: I’m back to blogging, at least twice a week, for the time being. I’ve also found that compartmentalizing my To-Do lists has been a life-saver. And, it has really helped me prioritize what needs to be done as well. Really slick! I’ll also be taking photos at events and whatnot, and I have a lot to share from past shows/fun bits! I played around with how I log my time, and I’m definitely blocking social media during business hours. It’s a huge relief, and those mini-breaks I normally take are a lot more productive and fun. Great fuel for writing. This technique has also been helping me compartmentalize how and when to channel my energy, too.

And with that, I need to get back to my list. Keep on, keepin’ on. Be well!

1] A former co-worker used to call it ‘global nicening’ as a terrible joke. Climate change is the new Flat Earth.

Mood: Have devolved into sarcasm. Or evolved? Hah.
Caffeinated Beverages Consumed: Wait… That was Sunday, right? Three.
Work-Out Minutes Logged Yesterday: Steps! Steps! Steps!
In My Ears: How Far I’ll Go from Moana (Alessia Cara version)
Game Last Played: Pokémon Go
Book Last Read: Loads for work. Loads. LOADS MORE. MOAR.
Movie/TV Show Last Viewed: The Magnificent Seven YUS!
Latest Artistic Project: Make Art Not War Challenge eBook now available!
Latest Releases: Over the Edge for Dungeons & Dragons 5th Edition, Dagger of Spiragos for Scarred Lands.
Current State of Projects: Read my latest project update. New project update coming when I get time.




On Keeping Your Eyes On Your Own Page

Spike and Giles... Together at Last

Over the years, I’ve learned that there’s a big difference between what you want to write, and the perception of what a “writer” is. The career of writing is filled with other people’s opinions based on your profile or popularity, which circles you travel in, how much money you’re believed to make, where you publish, who you’ve worked with, what genre you write, how frequently you put out books, and what it is you’re writing in the first place.

Perceptions, dear reader, are all bullshit and they are a distraction that can kill your productivity. They exist as a natural part of being in an uncertain, unpredictable industry where so many of us work from home and only see one another at conventions. This can be exacerbated if you have friends or acquaintances that are writing, too; the best advice I can give you is that your true friends will be happy for your success. If they’re not, and they make passive-aggressive comments, it’s because they perceive your success as a sign of their failing or what they haven’t earned. As a writer, you will define what you believe your success to be. There is no “one true way” to be a writer or have a career, because there is no formula for success other than to be persistent. Do you write? You’re a writer. Do you make money off of your work? Then, you are professional writer. Are you consistent? Then, you building a career in writing.

Enter the idea that you should “keep your eyes on your own page.” It may sound incredibly selfish, but this mantra is a tool for your own survival. Other people’s opinions can be damaging to your career, because that’s when you start to ask questions. Am I doing this right? Am I writing the right books? But wait, that other writer started the same year I did and they’ve surpassed me in money/popularity/etc. Then, the worst possible thing happens: jealousy. You deserved what that other writer got. After all, you wrote the same damn thing. You should’ve gotten that contract. Your book should’ve gotten better placement. Ack! Turning green yet? Worrying about what “X” writer is doing is a recipe for madness, because even if you’re friends that won’t help you get the words down and out the door.

That’s not to say there aren’t real problems that can affect your career like bigotry, sexism, homophobia, nepotism, etc. these things exist in publishing because they occur in real life. Publishing isn’t some esoteric business that exists in the clouds; it’s a multi-million dollar industry filled with people making decisions every day to produce books, comics, and games. What I’m suggesting, is that obsessing over the hows/wherefores/whys of someone else’s book took off won’t do you any favors, because your greatest asset is what you have to sell. If what you have isn’t selling, then write something else and try selling that. Or, do more research on the markets you’re submitting to and try a different one instead.

Lastly, I want to point out another reason why you should keep your eyes on your own page. In this political era, there is a lot of uncertainty that has nothing to do with the publishing industry. That big question mark of what will happen next is omnipresent and frightening as hell. I could spend hours modeling what the future might hold, I could spend days in front of the TV worrying whether or not we’re going to war, or I can write. Thanks to Make Art Not War 2017, I am putting “me” first. This acts as a shield that allows me to protect my work and make better decisions for myself and my career.

When I first designed the MANW program, I did so thinking that it would just be to weather the political storm–but it has a crucial, secondary purpose as well. By prioritizing my art over all the other bullshit out there, I know I am doing everything I can to make something happen. That, outside all the other bullshit, is what’s keeping me sane. I can’t predict what’ll happen, I can’t possibly know whether or not all of this will be worth the effort financially–but I can control whether or not I fill a blank computer screen, one word at a time. Without doing the work, I can’t do anything else. After all, no one wants to read an empty page.

    Mood: Crap, it’s Friday.
    Caffeinated Beverages Consumed: Too many
    Work-Out Minutes Logged Yesterday: Half an hour
    In My Ears: Dragon Age: Inquisition soundtrack
    Game Last Played: Dragon Age: Inquisition
    Book Last Read: Research materials for work.
    Movie/TV Show Last Viewed: Agents of S.H.I.E.L.D.
    Latest Artistic Project: Make Art Not War 2017 Challenge and Rules
    Latest Releases: In Volo’s Wake for Dungeons & Dragons 5th Edition. Read my end-of-the-year list of releases for an overview of what I’ve put out for 2016.
    Current State of Projects: Read my latest project update. New project update coming this month!



New Way to View my To-Do List

There's a trojan on your computer

Figured out a new, simple way to organize my to-do list, and I thought I’d share it with you this afternoon. Instead of writing down a bunch of tasks or setting up categories based on area of my life and whatnot, I focus on my motivation for the things I have to do by basing it on what it means to me.

Mind: Work

Skull Emblem The category of the mind is related to The Day JobTM and bills. These are the tasks that I need to do in order to earn a living and maintain my current (and future) lifestyle. It doesn’t matter what the nature of that work is, whether it’s computer-related or not, because here I’m assigning a value to it.

Why didn’t I turn this into a dollar sign? For a few reasons. First, not everything I do for work has a financial value. There are some tasks, like reading or learning a new tool, etc. that help me expand my skillset, but they don’t earn a profit. The second reason why I’m not attaching a dollar sign to these tasks, is because I’m trying to train myself to focus on other forms of value as opposed to relying on dollars and cents. There’s a saying I hear repeated often, and that is: “Americans live to work, and the rest of the world works to live.” I’d much rather integrate what I do into my lifestyle to find the joy in it now, than burn myself out because I’m “supposed to” do the job for a life I may not even want.

Heart: Desire

lovemeheart
What’s in my heart? This is where I put all the things I want to do for myself, that aren’t necessarily attached to a financial value. The heart is all about desire. What I want to write, as opposed to what I have to write. What I want to do, even if it’s a small thing, instead of focusing on my obligations.

The reason why the type of tasks (or kind of work) doesn’t matter, is because the things I want to do may overlap with The Day JobTM. For example, I write, revise, and develop books and games for a living, seeing many games and supplements through to publication. This is what I get paid to do. Even though I enjoy my job, writing for myself is sometimes hard to justify because it’s on spec. That means, even if I finish the work and devote that time to it, I don’t see the value because I haven’t trained myself to see it. When I do have time, I may continue poking at a manuscript but, like a lot of writers I know, it becomes a challenge to figure out what to work on next that’ll benefit me the most. By attaching something as simple as a heart to my daily to-do list, I’m telling myself: “No, you really want this. Let’s break this up into smaller goals, so you’re still working towards The End without losing sight of the bigger picture.”

Last but not least…

Body: Health

handprintThis should be a no-brainer, but for someone like me who’s required to use her brain a lot… Well, it’s surprising how easy it is to forget about health-related matters. Like the things I want to do, they have to be done. But, unlike a necklace I design or a song I play, the benefits aren’t always immediate. By putting it on my to-do list, I’m reminding myself to do it today, not tomorrow.

Mind, Heart, Body. Sounds simple enough, right? What I need to do for work (Mind), what I want to do for myself (Heart), and what I have to do to be healthy (Body). Breaking up my task list into these three spheres helps me avoid spending too much time in one category or the other. I’ve found, too, it allows me to simplify what I need to accomplish. Love it or hate it, emotions are part and parcel of being human, and attaching value beyond the almighty dollar, calorie, or word count is my way of being realistic and… Well? More human.

    Mood: Mah brainpan is sizzling!
    Caffeinated Beverages Consumed: Oh well. That’s a fight I gave up.
    Work-Out Minutes Logged Yesterday: Wrote a lot, but managed to go for a short walk. Should repeat that today!
    In My Ears: Echoes by Digitalism
    Game Last Played: Ni No Kuni: Wrath of the White Witch
    Book Last Read: Currently reading Undertow by Elizabeth Bear.
    Movie Last Viewed: The Avengers
    Latest Artistic Project: Beading!
    Latest Fiction/Comic Release: Last Man Zombie Standing.
    Latest Game Release: Things Don’t Go Smooth
    What I’m Working On: Primarily tie-in games work, original comics, and novels.


When You Can’t Get No Satisfaction

spyvsspy

John Adamus wrote a post today about The Writer and Fairness, in which he mentions how a lot of writers aren’t content because they’re not treated fairly, and why that shouldn’t be an issue.

I agree for the most part but, in my experiences, the issue of being treated fairly is often made complicated whenever finances or marketing of oneself, others, or a product (e.g. books) is involved. Additionally, it is absolutely true that sexism, racism, and all those other -isms exist. Sometimes, an author gets slighted (or receives unjust praise) not because the work is (or is not of) superior quality, but because the publishing industry, self-published or not, is run by people. Not robots, not hamsters on a wheel, or cultists — but mercurial human beings with all manner of beliefs and personalities.

Though it will increase your chances, I do not believe your success solely relies on writing the best story possible. Success is not achievable unless you define what “success” means. I feel you absolutely need to determine its parameters in order to be truly happy, manage expectations, and achieve your goals. Not everyone wants the same things. Again, this is another reason why people get extraordinarily nutty on occasion — peer at your creative works through the eyes of anyone else, and you will see a distorted image. We do this (I’ve done it once or twice) because honest feedback is rare even in an internet age. Occasionally, we seek guidance to know we’re headed in the right direction, even when you’re the only person who understands where you’re going and how you’re going to get there.

When you hear something positive about the work you’re doing, it can be very encouraging. But when it’s not? Or when it’s fake or what have you? I think you know what happens when negativity hurts, because you’ve seen the result of that. You’ve seen “author bad behavior” where they go off on fans. You’ve heard about writers attacking other writers. This has happened before and it will happen again. Either way, positive or negative, those comments shouldn’t stop you from the act of creation. That, my readers, all circles back to you. This is where I feel the test of a truly contented artist lies: that you will go on, in spite of all the bullshit, because you are an artist, painter, sculptor, writer, etc. and you will not let anyone or anything get between you and your creative works.

Whenever I’m dealing with major dissatisfaction, I ask myself a few questions to hone in on the real problem. For smaller annoyances, I either rant or make a sarcastic comment or play a game or dive into a new project or whatever — and then I move forward as quickly as possible. Sometimes, I get stuck and I have to work through a tough decision about cutting personnel or severing ties with a publisher, etc. Other times, I require focus. e.g. Not be online. In the end, the work has to come first for me – which is where these queries come from.

1) What did I expect to get out of the situation in the first place? – If the answer is: I did this as a favor, took a lower rate, or let a lot of mistreatment go without saying anything, etc. etc. etc. Then, clearly, I should not expect to be treated well in return, because I did not put my own considerations first in a reasonable and healthy way. By taking too many shortcuts and one too many niceties, I’m basically sending out an unconscious message that I’m too accommodating or that I don’t care about myself or my work. Ergo: I’m supporting an illusion that I’m a doormat. Instead, the solution here is to remind myself of two things: one) I am self-employed and two) I have every right to take my career seriously. Because if I don’t — no one else will, either. That L’Oreal advertising phrase “I’m worth it!” from years back? Applies.

2) Is the company/person professional? – There are a lot of different types of authors out there. There are, also, a variety of publishers. Some run a business, full-time, and earn their income off what they do. Others? Well, you’ve seen market listings 4theluv. Some publishers don’t expect to make any money. Toss finances aside, for a second, and focus on the word “professional.” Size of publisher matters not. Volume and quality of publications matters not. People, on the other hand, are everything and it’s quite possible that no, they aren’t going to be professional. I’ve found that most don’t care where you’ve been or what direction you’re heading for; they deal with you as you are now according to their own objectives. Unprofessionalism explains a lot of industry-related treatment; while inexcusable from my perspective, even bullies get book deals. Knowing that, there’s really only one thing I have every right to be worried about: the words on my screen. Sometimes, though, certain comments and remarks are taken out of context and that can cause hurt feelings on both sides. Publishing is a people business. And people don’t always say or do the right thing. The majority of times, I believe mistakes are unintentional; sometimes, though, they are.

3) Has this sort of thing happened before? – In my experiences, problems can either be endemic or specific. When they are endemic, the answer is “YES!” But you don’t know that unless you talk to people or have loads of experience. When they’re specific, well, there’s still a bunch of factors that could have borked the situation. It’s fundamentally true that you will not get along with everyone; sometimes, you have to find the people that you DO get along with, but that requires social skills and/or copious amounts of alcohol. (I jest on that last. And not joking about the social skills.) This industry is pretty small and, if you’ve been around long enough, you’ll probably make a few friends, enemies, and (though I loathe to use this word) frenemies. You’ll hear rumors, conjecture, gossip. You’ll find opportunities, get recommendations, and exchange favors. And, eventually, you’ll start to navigate the industry the same way you do your day job (if you have one) or your social life. Having a support network, whether they’re in the industry or not, really helps ground me.

4) Am I happy with the quality of my work? My ability to produce words? Upcoming projects/contracts? Financial solubility? Where I’m at with my career? – These yes or no questions sum up the crux of any dissatisfaction issue for me. In order, right now, as if 1/21/2013: yes/yes/yes/no/no. Ah! So I’ve just confessed I’m happy with my work, but I’m not satisfied with my overall career.

This little reality check nails what I need to focus on and identifies the possible source — the real epicenter — of my distress. No room for “maybes.” If I say “maybe” for any one of those questions, I count that answer as a “no.” The more yes’s I have, the more content I usually am. Win win, I say. More words on the screen cures all ills.

Or, as they quip here in double digit freezing temperatures… Time for chocolate mint cookies.

    Mood: cold
    Caffeinated Beverages Consumed: Not enough
    Work-Out Minutes Logged Yesterday: Blargh. Housework.
    In My Ears: Nothing.
    Game Last Played: Bears!
    Movie Last Viewed: Lorax
    Latest Artistic Project: Holiday gifts
    Latest Release: “The Button” We Are Dust anthology

The Idea of Limited Words

I have a few mentors that I touch base with from time to time. One of them recently said to me that I was smart to balance my workload based on free vs. paid and original vs. tie-in, because we only have so many words we will write.

The idea that a writer has a limited amount of words they’ll write in their lifetime is, quite frankly, horrifying to me. What happens on the days that I didn’t write? Should I feel guilty that I neglected to pour myself into a story?

Even though the idea of limited words has implications, I think those are worth exploring because writing on “borrowed time” raises several questions like:

  • Am I writing what I want to write? Or what others want me to write?
  • Have I gotten paid for what I’m worth?
  • Am I satisfied with the submission choices I’ve made?
  • Do I know what markets are a good fit for my work?
  • Am I stretching and experimenting with my limits?
  • How am I measuring progress? By my own publications or someone else’s?
  • Where do I want to be as a writer in five years? Ten?
  • What form of writing do I enjoy the most? Least?
  • If I died tomorrow, would I be satisfied with my work?

The other thing that I feel this concept does, is help you shape how you spend your time. While you’ll never know when you reach your limit of words, I suspect that the fear one day you’ll run out of them may help shape not only what you write, but where you submit and how much you get paid for it.

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