Apex Book Company Revisited

Earlier this year, I had mentioned I had done some consulting for Apex Publications, which is the parent company of Apex Book Company, Apex Magazine and The Zombie Feed. A little over sixty days have passed since implementing a new strategy, and I all can say is “Whooo-hooo!”

In order to make the magazine soluble, I recommended amping up the subscription-based model and holding a drive for new subscribers in January. The tagline was simple. “New Year. New Stories.” This drive was a huge success and made possible by dedicated readers, newsletter subscribers, and fans of short fiction. Apex exceeded its goal and has continued that momentum. The magazine that wasn’t profitable has now broken even and there are signs of additional growth. What’s more, Jason is now able to start the arduous task of improving the magazine for existing subscribers and incorporating promotional aspects for the book line that provide value for readers. Previews or excerpts, for example, is something I just mentioned to Jason earlier this week. Instead of placing an ad, magazine subscribers can read the first chapter or two of a select Apex title in addition to the stories they read. That way, they get something new to read that allows them to make a decision whether or not they want to proceed with a sale.

The other thing that’s happened, is that I’ve seen an amazing groundswell of support from the authors who are publishing through Apex. The Apex blog has taken on a more focused tone; these talented individuals are talking about the things readers want to read — and the stats are backing it up, too.

These are nascent moments, but positive enough to spark Jason’s renewed enthusiasm. Unbridled excitement is an awesome thing to see, because when it’s unleashed it’s contagious. In other words, I coached him up front on what to watch out for and let him loose (so to speak). Now Jason is able to take off because he has a firm grasp on the core business, has seen a positive effect from the changes that were made, and he understands where he needs to go. So much so, that he’s planning long-term and releasing new things with a proper launch.

Businesses thrive when they have a strong core business with some amount of flexibility. It is important to be able to change-on-the-fly, but it’s also important to have long-term, measurable goals. Apex has all of these things and more.

I have no doubt that there are big things in this publisher’s future. What’s happened these past few months has been necessary for this small business to refocus its efforts, but there is a lot of room for growth.

Just in time for Spring. Yay!

Guest Post: Apex Publishing’s Sizemore on Why Authors Need to Market

Today’s guest post is brought to you by Jason Sizemore of the small press publishing house, Apex Book Company. Apex Books has been embracing both traditional publishing methods as well as new technology through their Apex Book Company e-books on DriveThruSciFi.com. In this post, Jason talks about why it’s important for authors to embrace online marketing and promotion from his perspective as the owner of a small press publishing company.

Are you an author who doesn’t believe in doing your fair share of promotion? If so, I don’t want to work with you. And it’s not just me, but most other publishers, as well.

Trust me when I tell you this isn’t because publishers are lazy and don’t want to do the work to make you (and them) a success. On the contrary, a good small press publisher is a smart, aggressive marketer who will spend late nights on the computer and at conventions promoting their titles. The good small press publisher will wheel n’ deal with magazines, blogs, and websites for prime advertising at a cost they can afford. The good small press publisher will curry favors in return for that half-page ad in the latest Rue Morgue or Locus Magazine. We’re ruthless when it comes to hustling for sales and promotion.

Unfortunately, that’s never enough. Marketing is a hungry beast and most small press owners are working with limited resources (we’re talking the big 3 here: time, money, and people). Many of do what we can with what we have, but due to this lack of resources, part of a successful marketing campaign involves the author.

Here’s something that might surprise some of you—not even my most successful work at marketing can surpass that of an enterprising author determined to sell his/her book.

I’ve had a number of discussions with other publishers and authors about why this is so. In the end, I like to call it the ‘cult of personality.’

Readers share something intimate with a writer that goes beyond the average fan/star relationship. When you read somebody’s book, a connection is built mentally, emotionally that is unique in the retail world. If a reader enjoys your story, they will naturally want to think of you as somebody they’d like, as somebody they’d like to interact with even if it’s remotely through a computer or personally at a convention or book signing.

If a reader meets you and hasn’t read your book, you have an opportunity to earn a fan just by being nice and gracious. If they encounter your blog and you provide something of interest, then they might just pick up your book. I’ve had authors sometimes act like doing self-promotion is a real pain. In reality, it’s little more than being civil and giving the readers a small glimpse into your mind.

Connect with the readers and you’ll do well. Highly successful examples of authors doing this include Brian Keene, Cherie Priest, JA Konrath, Sara M. Harvey, and Maurice Broaddus.

The flip side of the equation is that when I sign an author to a book deal, I consider there to be a ‘bi-directional assumption of trust’ in play. From the author’s perspective, the publisher is trusted to edit and produce a quality product. The author has a fair expectation of review copies being sent, press releases being written, and a reasonable marketing plan being enacted (among other things). The publisher has a right to expect that the author will produce quality edits, they will help promote the title, and to a degree, be a cheerleader for their publisher.

In the end, I’ve never understood the author who refuses to do his/her own marketing. It’s a business, after all. We want to make money. You want to make money. The bookstores want to make money. By not self promoting you’re hurting everybody in that chain of trust.

About Jason Sizemore

Jason Sizemore is the owner of Apex Book Company, a small press dedicated to publishing quality horror, fantasy, and science fiction. Also, he’s a past Stoker Award finalist for editing the anthology Aegri Somnia and his first collection of horror (Irredeemable) comes out in 2010 from Shroud Publications.

For more information, visit www.jason-sizemore.com.

Small Press Publishers: Creating Smarter Business Plans

I’d like to start shining the spotlight on small press publishers, and talk about some of the behind-the-scenes factors that affect writers, editors and business owners. Many of these mistakes can be applied to other small businesses as well, but in the publishing world — these pitfalls can affect how and when contributors get paid, the success of a book and the financial solubility of a publisher. One of the most common scenarios, is when a publisher either doesn’t create a business plan, or neglects to revisit it even when there are changes and fluctuations within the industry.

It’s not uncommon for a small press publisher to produce books for the sake of producing books or for a small press publisher to regard their business as a “hobby.” From all outside appearances, it appears that the small press publisher knows what they’re doing — they publish a book or imprint that appears to be of decent quality, and they do so when they can. While we writers may never know if their numbers are “there,” if the small press publisher doesn’t have a plan, anything that happens beyond the status quo (success or failure) can hurt their business. A huge spike (or drop) in sales can cause small press publishers to have knee-jerk reactions that affect everyone involved with the business. Reactions can range from cutting communication to public attacks or halting production, affecting more than just the people that are involved with the business.
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Can Online Novels be Successful? Find out from Novelist, Ryan A Span in a Guest Post

Hi everyone, special thanks to my guest bloggers who are helping me frame up some great posts this week. The first guest blogger I’d like to introduce is Ryan A. Span, who got his start posting an online serial novel. Ryan is blogging today about his experiences posting a well-read online novel which led to print publication through a small press publisher. Ryan’s writing style is kind of interesting, because he shoots straight from the hip and doesn’t look back. I hope you enjoy this post as much as I enjoy exchanging emails and interacting with him; Ryan’s a really nice guy and very passionate about what we all love to do–write.

About Ryan A. Span

Ryan A. Span is 24, lives in Britain with his girlfriend, and writes books because he doesn’t know how to do anything else. Ryan is the author of Street: Empathy, his cyberpunk debut published by Gryphonwood Press, part of the free-to-read online serial Street.

What it’s Like Being an Online Novelist

One fateful evening in December 2006, I was sitting in front of my latest novel-to-be and decided that this was the one. I’d toyed before with the idea of making regular online releases of my work but had never been quite convinced I had it in me. This time, though, I knew I was holding a story with the potential to go all the way.
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