Social Media, Online Personas and Criss Angel’s BeLIEve

Last night, a friend and I went to see Criss Angel‘s BeLIEve, which was under the umbrella of Cirque du Soleil. (Side note: his site opens with pop-ups and auto-play. Erg. You’ve been warned.) Since I had received a press release through horror webzine FlamesRising.com, I thought I could review it for the site, but I can’t.

Until the show started, everything related to Criss Angel’s BeLIEve came across as dark, moody and Victorian. Steampunk rabbits adorned the stage. Strange smoke filled the air. The program book has costumes of crows, dolls and odd bunny rabbits. Criss, who normally has more of a casual persona, is dressed up more as a goth than a Californian in the press kits and on the website. So, I was expecting to attend a surreal performance that took my breath away. Instead, we were regaled with slapstick comedy and an extension of Criss’s online and television presence through video clips, audience interaction, personal stories and memorabilia. There was no mystery, other than the illusions, which forced me to focus on the beats of the show. I could “see” how the show was constructed and I felt as if I was staring backstage. Something that–as many of my fellow authors, musicians, artists and actors know–can be a death knell for any stage performance if not handled carefully.

Reviews online reflected the audience’s disappointment as well. (Note to self: always read reviews.) Words like “self-indulgent” were used and other various unpleasantries. I walked out of the theatre feeling bad for Criss, because on the surface it seemed as if his original show was too dark and too edgy. “Quite possibly,” I thought, “the stage audience might not understand something that unusual. With the economy being the way it is, I wouldn’t be surprised to learn that the show had to be “dumbed down” for public consumption.”

Afterward, I found myself thinking about how this show is an excellent example of what happens when an artist is constrained by his persona. Criss is very active with all the right tools; YouTube!, Facebook, etc. He’s has MINDFREAK, which is his own (for lack of a better description) syndicated magic reality TV show. All of these things add up to create a contemporary (magic) success story–especially online where it’s easy to “ooo” and “aaah” at someone walking on water or transferring scorpions into someone else’s mouth.

Take those same elements and allow people to seem them offline, and they don’t translate the same way. Those same anecdotes and videos come across as arrogant or selfish, regardless of how many platitudes we’re given. Why? Because the dynamic is different. The television and the internet are such unique, individual experiences that it’s difficult to recreate that extremely personalized touch in a room filled with hundreds of people.

Anyone who has performed on stage for an audience, speaking/singing/playing or otherwise, understands that the dynamic in a theater is no longer about the “I.” It’s about the “we.” The crowd mentality. It’s about fostering the crowd’s emotions in a natural way than holding back performances unless we cheer. It’s about drawing the audience into an experience rather than sharing the experiences of the performer.

What I just said is counter-intuitive to what many of us are taught about our online personas and writing platforms. We share online to get viewers and readers. We get personal by offering anecdotes to be able to relate to people. This doesn’t always work offline, which is why I wanted to talk about this particular show. Criss is obviously very talented and popular online, but right now I’m not sure he’ll be around for the long haul. I felt that BeLIEve was a chance for Criss to prove his versatility and recreate that Victorian-era feel with the help of Cirque du Soleil. The online thing Criss couldn’t escape, was his online persona.

The next time you’re thinking about your online persona or your writer’s platform, I hope that you consider how your online presence translates to your offline (analog) persona as well. At the end of the day, it’s a lot like dating. Give everything away, and you’ll have nothing left to give.

New Guest Post at SFWA: Social Media and Your (Lack of) Privacy

This month, I decided to discuss the issue of privacy from my perspective at the Science Fiction & Fantasy Writers of America blog. This is a very in-depth article that addresses the issue from a few, different perspectives. I felt that this particular topic was pretty timely, given the fact that Facebook has been publicly bashed for its recent privacy updates.

Here’s a sample of the article:

No doubt, many — if not all — of the social media business models that are out there include the collection of your data or content. Anonymous data allows a website to personalize your experience and make every attempt to provide you with relevant choices. It also allows web designers to understand how you interact with a particular page so that they can improve their design efforts as well. In fact, if you’ve ever used Google Analytics you’ve probably benefited from the collection of anonymous data by viewing how different people interact with your website. “Public” data, as defined by data that is attached to your name or persona, is another story entirely. — SOURCE: Social media and Your (Lack of) Privacy

Regardless of what side of the privacy fence you’re on, I do hope that you read about the issue from multiple perspectives and come to your own conclusions.

To read the full article, visit Social Media and Your (Lack Of) Privacy.

Interacting with Celebrities or Authors? Don’t be “that Guy.”

One of the benefits of following your favorite celebrities or authors on Twitter, MySpace, Facebook or through their blogs, is that you can interact with them like you would one of your friends.

Unfortunately, this accessibility also encourages the notion that these highly visible people are your personal friends. Friends that you can make recommendations to, ask for favors from and expect to publish or create specifically for you. Should you?

I’ve been involved with social media (both professionally and not) for some time, but I’ve also worked with celebrities as well through my photography, Flamesrising.com and conventions. It still surprises me that online accessibility is creating strange expectations that include things like: reciprocal “follows,” personalized responses for every comment, charitable donations, invitations to dinner or things like free plugs for your work, agent referrals, critiques, etc.

Remember, that many of these celebrities have thousands – if not millions – of followers that they are trying to maintain. The primary reason why many people can’t respond to you, personally, is time. Engaging in internet activities can be a time sink, but especially when you have thousands of followers. For many authors, even though they don’t put in a 9 to 5 schedule, they need to spend their time wisely in order to meet deadlines and promote their own works. There are only so many charities they can support, and only so many people they can follow up with. For example, the sheer volume of responses to a single Tweet for people like Amber Benson, Neil Gaiman or Warren Ellis creates a situation where your response might get lost in the shuffle within minutes.

As part of the creative process, authors can’t provide individual critiques to fans because if they did — then they’d have to do it for everyone. Moreso than responding to a Tweet or a comment, critiques take time away from an author’s day. It’s also not uncommon for some fans to send story ideas. Unfortunately, that opens authors up to potential legal issues if they publish something similar to what you sent them, even if they didn’t read it.

That’s not to say that authors won’t interact with you or offer advice, it just means that anyone who is visible online can’t be everywhere at once. Many authors will offer up-front policies for what they will and won’t do (e.g. critiques, interviews or offering advice, etc.), but not everyone does.

So let me be very clear: I recommend not being “that” guy that has specific expectations from following people online in order to further your own agenda. Don’t. For just a minute, put yourself in the shoes of those you admire. Celebrities are not magical beings, they’re just more highly visible than other folk because it’s part of what they do for a living. That’s not to say that they don’t care about your comments or don’t want to interact with you, it’s just impossible for them to respond to even a few hundred people all at once.

Do you have any thoughts on the subject? Agree or disagree? Feel free to comment below.

Social Media for Beginners: 15 Tips to Consider

Before the words “social media” became a buzzword, many writers like myself were engaging in adding content via places like message boards, forums and LiveJournal. Often, the phrase has become synonymous with the major social media sites like Twitter, Facebook, MySpace and GoodReads, where users generate their own content to interact with one another.

When marketers talk about social media promotion, they are addressing ways to leverage the free tools that are out there to build a trendy “buzz” to get people talking about you, your business or your product to help you achieve a definable goal. There are quite a few marketers out there recommending that you jump into the social media fray, but before you do I highly recommend you keep these things in mind:

    1. You’ll Need to Budget for Time — If you’re thinking about jumping in with both feet, keep in mind that building a social media presence is a very time-consuming activity. Not only will you need to add content and review followers, but you’ll have to design a “look” that fits your brand as well. The more websites that you add to your “social media channel,” the more maintenance they may require. On top of it all, the tools are not static and often receive enhancements as well. If you don’t stay on top of what new changes occur, you might find that your presence is no longer functioning, appears outdated or is not taking advantage of an aspect that could increase sales or traffic for you.

    To sum up, engaging in social media has four components that can eat up a lot of your time: the content you provide, interaction with others, the tools you use and overall maintenance.

    2. Be Prepared to Get Personal. — I talked a little bit about this in my post that describes how social media is about being social. Basically, if you do not have a well-known brand or celebrity name, the way that you engage in social media should help people get to know you in the way that you’re comfortable with. (Remember, a social media strategy for McDonald’s will be night-and-day different from a local hamburger store that no one is familiar with.) Many people who follow me online have met me in person at different events, so keep that in mind when you’re jumping in. You don’t want to be “that guy” who has an online persona that is wholly different from what you’re like in real life. When the two worlds collide, it will reflect very badly on you to the point where you may find your online persona ruined as a result. I joked about that a little bit when I wrote how to ruin your online reputation in 10 easy steps.

    3. Remember that Social Media is often about Trends. — If you’ve been part of a social media trend, you understand that in many ways it’s “here today, gone tomorrow.” I’ve experienced this first-hand professionally and personally, and I have to say that since topics are constantly shifting in social media (in part due to the technology that’s able to deliver it) you’ll see more “micro-trends” than ever before. These “micro-trends” may be based on old or new content, and may be something I consider “flash flood” marketing, which in my mind is a subset of viral marketing. Basically, it’s what happens when a topic overpowers the social media space extraordinarily quickly, but it ends up disappearing just as quickly, leaving a mess in its wake.

    4. A “Good” Social Media Campaign is a “Customized” Campaign. — I highly recommend that you take a hard look at why you want to create a campaign in the first place. Social media may not work for every writer or business, no matter what someone else might say, because throwing “content” on a website without any sort of a goal — tangible or otherwise — is a big waste of time.

    Additionally, since you have the ability to test “responses” to your campaign through your web analytics package, don’t be afraid to edit or revise old content to leverage new social media trends. By this, I mean that since social media often has a “content component” based on your web presence (e.g. website, blogs, products, videos, etc.), don’t be afraid to revise old content to be more contemporary with a trend.

    This is especially true if you have a page on your website that gets a lot of search engine traffic. Often, many readers don’t look at the date when they’re researching a topic or getting hooked on a trend, so be sure to keep that in mind. I’ll add dates to my content revisions to help people understand when I’m editing a page and for what reason, so that I can leverage social media when it’s appropriate.

    5. Not Every Goal is about Getting Followers or Traffic. — As a web analyst, I’m often amazed to watch how a website might increase their visits by 1,000% or more, and then notice that their sales remain unchanged for weeks afterward. Visits, followers, fans, friends, etc. are not the end all, be all of social media because the numbers don’t mean anything unless you can tie them back to something you can hang your hat on — conversion.

    For example, say you’re a small pizza restaurant in New Jersey and you offer a really awesome social media campaign that attracts fifty thousand plus followers on Twitter. All of a sudden, you have a great number of followers! Do you have the personnel to manage your popularity? What happens when, in a day or two, the campaign buzz dies off and Twitter has moved on to something else. Now you struggle getting anyone to interact with you and you notice that your sales haven’t really picked up. Why? Of those fifty thousand plus followers, how many of them live near your restaurant? Do you offer online delivery services to accommodate sales? Were you prepared for both success and failure?

    Regardless of your situation, remember that social media success is often in the eye of the beholder. In many ways, social media can be “just” about brand awareness. As long as you have your goals defined once you do your homework and understand how social media may work for you, you’ll be very successful because you’ll understand the “reality” of the tools.

    6. Think Long-Term. — If you’re going to get into social media, be prepared to grow your channel over a longer period of time. There is a time (and place) for attaching yourself to trends, but that solely depends upon what you (or your business) wants to get out of social media. Regardless, this is not a place where you want to have a set-and-forget mentality. When you “forget”? That’s when your followers do, too. The flip side, is that if you’re in-their-face too much just tweeting about your online catalog, be prepared to get ignored. Social media wasn’t created for businesses, it was created for people.

    7. Social Media does not Work on Your Schedule. — Are you a nine-to-five business? Have you budgeted a half an hour a day for social media? Remember, a social media buzz can happen when you least expect it. It doesn’t happen on your schedule, and it can often occur when you’re not on the clock. For this reason, if you’re active in the space you’ll need to teach several people how to monitor your social media accounts (even if they don’t have log in) to see what others are saying about you so you can respond appropriately.

    8. Social Media Crosses International Borders. — Internationalization is a topic on many people’s minds. One “hidden” benefit of social media is this: just by signing up for a popular tool’s account provides you with the means to interact with someone from the U.S., Germany, Brazil, Japan, England, etc. Keep this in mind if your product is only available in the U.S., you might want to make your product’s availability clear. I recommend listing that up front in your bio and prepare your customer service department to handle those types of questions. Why? Well, this relates to my next point about how people on social media don’t want to feel cheated. Don’t engage a potential customer if you can’t deliver your product. They’ll walk away unhappy and might just talk about you in a negative way.

    A good example of where you might often run into problems is for social media-based “contests.” I recommend offering digital coupons or gift certificates if the winner is outside of your targeted locale.

    9. Don’t “Trick for a Click.” — While there are cases when you want to incite people to click on a link, you never want to trick someone for a click. When a reader or a customer feels cheated, they don’t feel engaged with your brand (or your personality) and they leave with a bad taste in their mouth.

    You can see this effect through your web analytics package. If you know you’re intentionally being vague or not offering enough information, you might notice an increase in traffic visitors to that one link, but only that one link. Of course, one-click traffic can be a frequent occurrence with social media even if you didn’t trick for that click, but it is a potential “why” behind your data. For that reason, I recommend providing genuine content and a frequent review of your conversion goals to target your visitor’s “second” click rather than just the “first.”

    10. Consider the “Spam” Effect.” — Remember that spammers also use social media, and not every tool is effective blocking against spammers. Over the past, few weeks, I’ve noticed spammers infiltrating real-time trends via Twitter. These “fake” trends are not only annoying, they can often turn people off from different forms of marketing if they think it might be spam. In many ways the spam effect has affected legitimate campaigns and businesses, because spam mirrors traditional viral or in-your-face marketing tactics to manipulate algorithms and get noticed. Keep the “spam” effect in the back of your mind. Sometimes, the difference between a “click” and an “eye roll” is about how you deliver the message, not necessarily what it contains.

    11. Experiment with “Content-Specific” Tools. — Even if you go into social media in order to leverage trends, keep in mind that you might get more success out of tools that specifically relate to your goals for social media or your core functionality as a business. If you’re a bookstore or a writer, get on GoodReads. If you’re a professional or a job seeker, leverage LinkedIn. In other words, you may find that your “social” success comes from a targeted tool on a topic that relates to you and not through a generic tool.

    The flip side to this argument, is that even if you don’t want to use the tools, it’s a good idea to avoid getting “brand-hijacked.” I recommend signing up for the tools to ensure your name or brand is protected even if you never plan on using them. If you do leverage tools like Facebook or Twitter, though, be aware that you can do some content customization based on your social media goals.

    12. Emotion is a Strong Motivator. — Remember when I mentioned trends and how social media doesn’t work on your schedule? Well, sometimes when you engage in social media you may find that you get poor results not because the timing wasn’t right, but because you didn’t emotionally appeal to people reading your content. For example, you may offer innocuous or “fun” content that has absolutely nothing to do with your business and get a ton of responses.

    If you want a good example of how emotion can effect a trend (and subsequently) sales, consider the Susan Boyle phenomenon from the show Britain’s Got Talent. Here’s a press release from Musicnotes.com about how Susan Boyle impacted sheet music sales.

    13. Do Not Just Talk About How Great You and Your Products Are. — I do not care if you have the best product in the world, do not use social media to just add content about how great you are to sell your gadget. Just like your website might have “lurkers” (e.g. people who visit your site but don’t buy anything) your social media accounts might also. Your number of followers is not any indication of how successful your content is, because quite frankly social account maintenance is time-consuming for anyone.

    I should point out that “brand” social media account might get a little more leeway, but once your customers find you online they do expect some interaction. I recommend incorporating how you’re going to address customers via social media as part of your overall campaign. In this case, it helps to be proactive rather than reactive.

    14. Check the Terms of Service for Every Tool. — I cannot stress this enough. The ownership and distribution of content on the web is a very sticky point for many content creators (e.g. writers, artists, companies, etc.) and we are still in the wild frontier where internet law is still developing in many cases. I mentioned a few terms of service in my post about Who Owns Your Content When You Blog, Facebook Twitter?. If your content is important to you, please do yourself a favor and check out the terms of service before you engage. This will help both you and your social media professional (should you hire one) tailor a campaign customized to your goals, including where you want to drive your traffic. For example, if you’re a photographer and you typically send people to Picasa but you don’t like their terms of service? You might change your web strategy and send them to Flickr instead.

    15. Social Media is Almost Impossible to Track. — Last but not least, please remember that social media is almost impossible to track. Your web analytics package will offer you a three-dimensional view of how a visitor comes to your website and what they do when they get there, but it does not tell you what the visitor is doing before they get there.

    Many metrics for “social media reach” have been created based on sheer mathematical numbers; e.g. #of followers vs. #of replies or #of fans and visitors. These metrics are exceptionally misleading because they do not take into account a) how often someone logs into their account to see your content and b) when they view it. To put this in perspective: just because you might have 10,000 people in your network does not mean that all 10,000 people read all of your content, all of the time, exactly when you post it. Additionally, since there are a ton of different ways to use these tools, it is quite possible that someone can view their social media activity and appear “active” without ever logging into the tool. If web analytics tracks three-dimensional visits, consider that social media tracking is about the fourth dimension — TIME. Until the social media tools offer a premium service where they allow you to see data for your particular profile, you will only be able to see the effects of your efforts, but not the data you’re used to seeing for your own site.

    In addition to the reasons listed above, try not to get too worked up over your number of followers. Why? Well, not only may your followers change frequently, it’s quite possible that not all of them are valid accounts. Having said that, if you want hard numbers that you can test there are ways to be able to do that based on your end goal — conversion.

    If you are selling something, consider that a social media-specific coupon could turn into a viral promotion in and of itself. Compare that to your other (non-social media) offers and see if they are more (or less) successful, then refine your technique based on timing or trends. I recommend fostering a base of content first, so that your coupon is a frame-of-reference for your potential customers.

    If you don’t have something to sell, your social media goals are probably different. For example, you might say that you want X number of new followers by a certain date or that you want to use social media to increase your RSS feed subscribers. Regardless, think “long-term” to achieve those numbers and you’ll have better success. Your network will be more engaged and refine itself over time, because the people in your network will get to know “you” rather than your “account.”

For all of these reasons and many more, if you’re serious about starting a social media campaign, you might want to consider hiring a social media professional to promote your book or product. A professional’s job is to stay on top of social media so you don’t have to. Based on what I’ve said here alone, you could end up saving money by hiring someone to help set up your campaigns for you.

Hope this helps! Feel free to pop in your thoughts in the comments below. 🙂

Breaking News: Using Facebook Pages? Log in ASAP

Just wanted to give everyone a heads up who is using Facebook “fan” pages. Yesterday, Facebook changed those pages to look more like profile pages, and added some new functionality. 3rd party ads are now more visible, you can provide a status update and they look more like a personal page. (Additionally, there is no ability to update your status message automatically by adding an “app” to connect with Twitter, either.)

However, if you have an existing account this new functionality is a hindrance rather than a benefit. The profile information that you had filled out to go underneath your logo is shifted to a new tab, and most of your customization has shifted.

If you’re using a Facebook page, I recommend logging in to see if this works for you. Otherwise, you can join me today while I dig around and see how I can make mine look better.

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